gifts he, and many others, held in high esteem--a meeting was held to consider the desirability of having some memorial of one whose loss was so deeply deplored. Mr. Chamberlain took a prominent part in the proceedings, and I well remember how deeply affected he was when, in the course of his touching references to his deceased friend, he said, "I feel that his death, then, is the crowning of a noble life. He has been called from us in the moment of victory, and we who remain behind are to be pitied, for we have lost a great leader, and there are none to take his place." "The task which is imposed upon us is certainly a very melancholy one. One by one our leaders are removed from us. The gaps in our ranks are becoming painfully apparent. Still, there is much work to be done, and we shall best honour those who are gone by endeavouring, as best we may, to continue and complete the work which they have so well commenced. In this spirit we may be content to bide our turn, hoping that when we, too, are called away our record may not shame the bright example of those who have gone before us." When making these touching remarks Mr. Chamberlain's voice became tremulous with emotion. He evidently experienced the greatest difficulty in commanding his feelings, and when he sat down I saw tear-drops in his eyes. Never have I seen him so overcome, and it is only justice to him to cite this incident as showing that sentiment and feeling, though rarely manifested, are not foreign to his real nature. With respect to Mr. Chamberlain's personal appearance his form and features are now well known, but for a time he was a somewhat troublesome subject to caricaturists. When he was first budding out into national importance the clever artist of _Vanity Fair_ at that time came down to Birmingham to draw him. He succeeded in making a good caricature, but it was said that he found his task by no means an easy one. It was the nose, I believe, that puzzled the artist. Mr. Chamberlain has a pointed, slightly upturned nose, and some cynical people may be disposed to say that it has become more pointed and sharp the more he has poked it into political business. Anyway, it is a characteristic, perhaps _the_ characteristic, of Mr. Chamberlain's face, and the skilful _Vanity Fair_ artist caught it after a time, and just sufficiently exaggerated it to make a genuine caricature. Seeing, however, that Mr. Chamberlain was born to be a much-pictured man, one thing has stood him in fine stead--his eye-glass. When "Mr. Punch" first took him in hand he could make little or nothing of him, but the eye-glass saved the Fleet Street artists from failure. They found nothing they could lay hold of at first, not even his nose. They saw a man with a pleasant, good-looking, closely-shaven face, some dark hair brushed back from his forehead, but there was nothing they could hit off with success, and the only way they could secure identity was by the eye-glass. "Mr. Punch" used at one time to represent Mr. Bright as wearing an eye-glass, but I don't think he ever used one. Certainly I never saw Mr. Bright with an eye-glass, and never saw Mr. Chamberlain without one. Great and prominent men should have some characteristic