Lysistrata
LYSISTRATA Translated from the Greek of ARISTOPHANES Illustrations by Norman Lindsay [to be added to the next edition] FOREWORD _Lysistrata_ is the greatest work by Aristophanes. This blank and rash statement is made that it may be rejected. But first let it be understood that I do not mean it is a better written work than the _Birds_ or the _Frogs_, or that (to descend to the scale of values that will be naturally imputed to me) it has any more appeal to the collectors of "curious literature" than the _Ecclesiazusae_ or the _Thesmophoriazusae_. On the mere grounds of taste I can see an at least equally good case made out for the _Birds_. That brightly plumaged
nothing to suggest the cause of its pristine glory or the origin of its
emphatic designation; today it is simply a picturesque, rural hamlet. In
Penn Valley, a mile or two farther on, I passed a smashed and abandoned
automobile, the second wreck I had encountered. I thanked my star I
traveled afoot; heavy going, it is true, in places, but safe and sure.
Notwithstanding the ubiquity of the autocar, it is still a fact that
between the man in the car and the man on foot is set an impassable
gulf. You are walking through a mountainous country, where every bend of
the road reveals some new charm; absorbed in silent enjoyment of the
scene, you have forgotten the very existence of the machine, when a
raucous "honk" jolts you out of your daydream and causes you to jump for
your life. In a swirl of dust the monster engulfs you, leaving you the
dust and the stench of gasoline as souvenirs, but followed by your
anathemas! This doubtless is where the man in the car thinks he has
scored. Perhaps he has. When the dust on the road has settled and you
have rubbed it out of your eyes, once more you forget his existence.
But the very speed with which he travels is the reason why the man in
the car misses nearly all the charm of the country through which he is
passing. On this tramp I took forty-odd photographs, all more or less of
historical interest. Riding in an automobile, many of the subjects I
would not have noticed or, if I had, I would not have been able to bring
my camera into play. On several occasions I retraced my steps a good
quarter of a mile, feeling I had lost a landscape, or street scene I
might never again have the opportunity to behold.
LYSISTRATA Translated from the Greek of ARISTOPHANES Illustrations by Norman Lindsay [to be added to the next edition] FOREWORD _Lysistrata_ is the greatest work by Aristophanes. This blank and rash statement is made that it may be rejected. But first let it be understood that I do not mean it is a better written work than the _Birds_ or the _Frogs_, or that (to descend to the scale of values that will be naturally imputed to me) it has any more appeal to the collectors of "curious literature" than the _Ecclesiazusae_ or the _Thesmophoriazusae_. On the mere grounds of taste I can see an at least equally good case made out for the _Birds_. That brightly plumaged