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A Woman of Thirty

Creator: Balzac, Honoré de, 1799-1850
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young. Her health had declined daily since her return from Touraine; her life seemed to be measured to her in suffering; yet her ill-health was graceful, her malady seemed little more than languor, and might well be taken by careless eyes for a fine lady's whim of invalidism. Her doctors had condemned her to keep to the sofa, and there among her flowers lay the Marquise, fading as they faded. She was not strong enough to walk, nor to bear the open air, and only went out in a closed carriage. Yet with all the marvels of modern luxury and invention about her, she looked more like an indolent queen than an invalid. A few of her friends, half in love perhaps with her sad plight and her fragile look, sure of finding her at home, and speculating no doubt upon her future restoration to health, would come to bring her the news of the day, and kept her informed of the thousand and one small events which fill life in Paris with variety. Her melancholy, deep and real though it was was still the melancholy of a woman rich in many ways. The Marquise d'Aiglemont was like a flower, with a dark insect gnawing at its root. Occasionally she went into society, not to please herself, but in obedience to the exigencies of the position which her husband aspired to take. In society her beautiful voice and the perfection of her singing could always gain the social success so gratifying to a young
The Works of Francis Beaumont and John Fletcher in Ten Volumes Volume I.

THE WORKS OF FRANCIS BEAUMONT AND JOHN FLETCHER In ten volumes Vol. I FRANCIS BEAUMONT Born 1584 Died 1616 JOHN FLETCHER Born 1579 Died 1625
woman; but what was social success to her, who drew nothing from it for her heart or her hopes? Her husband did not care for music. And, moreover, she seldom felt at her ease in salons, where her beauty attracted homage not wholly disinterested. Her position excited a sort of cruel compassion, a morbid curiosity. She was suffering from an inflammatory complaint not infrequently fatal, for which our nosology as yet has found no name, a complaint spoken of among women in confidential whispers. In spite of the silence in which her life was spent, the cause of her ill-health was no secret. She was still but a girl in spite of her marriage; the slightest glance threw her into confusion. In her endeavor not to blush, she was always laughing, always apparently in high spirits; she would never admit that she was not perfectly well, and anticipated questions as to her health by shame-stricken subterfuges. In 1817, however, an event took place which did much to alleviate Julie's hitherto deplorable existence. A daughter was born to her, and she determined to nurse her child herself. For two years motherhood, its all-absorbing multiplicity of cares and anxious joys, made life less hard for her. She and her husband lived necessarily apart. Her physicians predicted improved health, but the Marquise herself put no faith in these auguries based on theory. Perhaps, like many a one for whom life has lost its sweetness, she looked forward to death as a happy termination of the drama. But with the beginning of the year 1819 life grew harder than ever.