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A Woman of Thirty

Creator: Balzac, Honoré de, 1799-1850
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they were. Scenes crowded up in her memory as in a bright mirror glass, to demonstrate the deception of a marriage which, all that it should be in the eyes of the world, was in reality wretched. What had the delicate pride of young womanhood done for her--the bliss foregone, the sacrifices made to the world? Everything in her expressed love, awaited love; her movements still were full of perfect grace; her smile, her charm, were hers as before; why? she asked herself. The sense of her own youth and physical loveliness no more affected her than some meaningless reiterated sound. Her very beauty had grown intolerable to her as a useless thing. She shrank aghast from the thought that through the rest of life she must remain an incomplete creature; had not the inner self lost its power of receiving impressions with that zest, that exquisite sense of freshness which is the spring of so much of life's gladness? The impressions of the future would for the most part be effaced as soon as received, and many of the thoughts which once would have moved her now would move her no more. After the childhood of the creature dawns the childhood of the heart; but this second infancy was over, her lover had taken it down with him into the grave. The longings of youth remained; she was young yet; but the completeness of youth was gone, and with that lost completeness the whole value and savor of life had diminished somewhat. Should she not always bear within her the seeds of sadness and mistrust, ready to grow up and rob emotion of its springtide of fervor? Conscious she
The Teacher

THE TEACHER. * * * * * MORAL INFLUENCES EMPLOYED IN THE INSTRUCTION AND GOVERNMENT OF THE YOUNG. A NEW AND REVISED EDITION. BY JACOB ABBOTT. With Engravings. 1873.
must always be that nothing could give her now the happiness so longed for, that seemed so fair in her dreams. The fire from heaven that sheds abroad its light in the heart, in the dawn of love, had been quenched in tears, the first real tears which she had shed; henceforth she must always suffer, because it was no longer in her power to be what once she might have been. This is a belief which turns us in aversion and bitterness of spirit from any proffered new delight. Julie had come to look at life from the point of view of age about to die. Young though she felt, the heavy weight of joyless days had fallen upon her, and left her broken-spirited and old before her time. With a despairing cry, she asked the world what it could give her in exchange for the love now lost, by which she had lived. She asked herself whether in that vanished love, so chaste and pure, her will had not been more criminal than her deeds, and chose to believe herself guilty; partly to affront the world, partly for her own consolation, in that she had missed the close union of body and soul, which diminishes the pain of the one who is left behind by the knowledge that once it has known and given joy to the full, and retains within itself the impress of that which is no more. Something of the mortification of the actress cheated of her part mingled with the pain which thrilled through every fibre of her heart and brain. Her nature had been thwarted, her vanity wounded, her woman's generosity cheated of self-sacrifice. Then, when she had raised all these questions, set vibrating all the springs in those