and rusty railings, gave a peculiar character to this lone retreat. Art had harmonized her constructions with the picturesque effects of nature. Human passions seemed to die at the feet of those great trees, which guarded this asylum from the tumult of the world as they shaded it from the fires of the sun. "How desolate!" thought Monsieur d'Albon, observing the sombre expression which the ancient building gave to the landscape, gloomy as though a curse were on it. It seemed a fatal spot deserted by man. Ivy had stretched its tortuous muscles, covered by its rich green mantle, everywhere. Brown or green, red or yellow mosses and lichen spread their romantic tints on trees and seats and roofs and stones. The crumbling window-casings were hollowed by rain, defaced by time; the balconies were broken, the terraces demolished. Some of the outside shutters hung from a single hinge. The rotten doors seemed quite unable to resist an assailant. Covered with shining tufts of mistletoe, the branches of the neglected fruit-trees gave no sign of fruit. Grass grew in the paths. Such ruin and desolation cast a weird poesy on the scene, filling the souls of the spectators with dreamy thoughts. A poet would have stood there long, plunged in a melancholy reverie, admiring this disorder so full of harmony, this destruction which was not without its grace. Suddenly, the brown tiles shone, the mosses glittered, fantastic shadows danced upon the meadows and beneath the trees; fading colors revived; striking contrasts developed, the foliage of the trees and shrubs defined itself more clearly in the light. Then--the light went out. The landscape seemed to have spoken, and now was silent, returning to its gloom, or rather to the soft sad tones of an autumnal twilight. "It is the palace of the Sleeping Beauty," said the marquis, beginning to view the house with the eyes of a land owner. "I wonder to whom it belongs! He must be a stupid fellow not to live in such an exquisite spot." At that instant a woman sprang from beneath a chestnut-tree standing to the right of the gate, and, without making any noise, passed before the marquis as rapidly as the shadow of a cloud. This vision made him mute with surprise. "Why, Albon, what's the matter?" asked the colonel. "I am rubbing my eyes to know if I am asleep or awake," replied the marquis, with his face close to the iron rails as he tried to get another sight of the phantom. "She must be beneath that fig-tree," he said, pointing to the foliage of a tree which rose above the wall to the left of the gate. "She! who?" "How can I tell?" replied Monsieur d'Albon. "A strange woman rose up