Droll Stories
DROLL STORIES COLLECTED FROM THE ABBEYS OF TOURAINE BY HONORE DE BALZAC TRANSLATORS PREFACE When, in March, 1832, the first volume of the now famous _Contes Drolatiques_ was published by Gosselin of Paris, Balzac, in a short preface, written in the publisher's name, replied to those attacks which he anticipated certain critics would make upon his hardy experiment. He claimed for his book the protection of all those to whom literature was dear, because it was a work of art--and a work of art, in the highest sense of the word, it undoubtedly is. Like Boccaccio, Rabelais, the Queen of Navarre, Ariosto, and Verville, the
"Why, Margaret!" A crimson flush mantled the face of Irene.
"You must excuse me, child, but just that came into my head,"
replied Margaret. "You're very downright and determined sometimes;
and there isn't anything hardly that you wouldn't do if the spirit
was on you. I'm glad it's all right. Dear me! dear me!"
"Oh, I'm not quite so bad as you all make me out," said Irene,
laughing.
"I don't think you are bad," answered Margaret, in kind deprecation,
yet with a freedom of speech warranted by her years and attachment
to Irene. "But you go off in such strange ways--get so wrong-headed
sometimes--that there's no counting on you."
Then, growing more serious, she added--
"The fact is, Miss Irene, you keep me feeling kind of uneasy all the
time. I dreamed about you last night, and maybe that has helped to
put me into a fluster now."
"Dreamed about me!" said Irene, with a degree of interest in her
manner.
"Yes. But don't stand here, Miss Irene; come over to your room."
DROLL STORIES COLLECTED FROM THE ABBEYS OF TOURAINE BY HONORE DE BALZAC TRANSLATORS PREFACE When, in March, 1832, the first volume of the now famous _Contes Drolatiques_ was published by Gosselin of Paris, Balzac, in a short preface, written in the publisher's name, replied to those attacks which he anticipated certain critics would make upon his hardy experiment. He claimed for his book the protection of all those to whom literature was dear, because it was a work of art--and a work of art, in the highest sense of the word, it undoubtedly is. Like Boccaccio, Rabelais, the Queen of Navarre, Ariosto, and Verville, the