Parisians in the Country
PARISIANS IN THE COUNTRY BY HONORE DE BALZAC INTRODUCTION I have sometimes wondered whether it was accident or intention which made Balzac so frequently combine early and late work in the same volume. The question is certainly insoluble, and perhaps not worth solving, but it presents itself once more in the present instance. /L'Illustre Gaudissart/ is a story of 1832, the very heyday of Balzac's creative period, when even his pen could hardly keep up with the abundance of his fancy and the gathered stores of his minute observation. /La Muse du Departement/ dates ten years and more later, when, though there was plenty of both left, both sacks had been deeply dipped into.
Dent de Vilard, you must act with decision, and get a legal opinion
which will protect you against this enterprising Chantonnit. Why
should you be afraid? Get the famous lawyer Savaron--engage him at
once, lest Chantonnit should place the interests of the village in his
hands. The man who won the case for the Chapter against the town can
certainly win that of Watteville _versus_ Riceys! Besides," she added,
"les Rouxey will some day be mine--not for a long time yet, I trust.--
Well, then do not leave me with a lawsuit on my hands. I like this
place, I shall often live here, and add to it as much as possible. On
those banks," and she pointed to the feet of the two hills, "I shall
cut flowerbeds and make the loveliest English gardens. Let us go to
Besancon and bring back with us the Abbe de Grancey, Monsieur Savaron,
and my mother, if she cares to come. You can then make up your mind;
but in your place I should have done so already. Your name is
Watteville, and you are afraid of a fight! If you should lose your
case--well, I will never reproach you by a word!"
"Oh, if that is the way you take it," said the Baron, "I am quite
ready; I will see the lawyer."
"Besides a lawsuit is really great fun. It brings some interest into
life, with coming and going and raging over it. You will have a great
deal to do before you can get hold of the judges.--We did not see the
Abbe de Grancey for three weeks, he was so busy!"
"But the very existence of the Chapter was involved," said Monsieur de
PARISIANS IN THE COUNTRY BY HONORE DE BALZAC INTRODUCTION I have sometimes wondered whether it was accident or intention which made Balzac so frequently combine early and late work in the same volume. The question is certainly insoluble, and perhaps not worth solving, but it presents itself once more in the present instance. /L'Illustre Gaudissart/ is a story of 1832, the very heyday of Balzac's creative period, when even his pen could hardly keep up with the abundance of his fancy and the gathered stores of his minute observation. /La Muse du Departement/ dates ten years and more later, when, though there was plenty of both left, both sacks had been deeply dipped into.