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Alice Sit-By-The-Fire

Creator: Barrie, J. M. (James Matthew), 1860-1937
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provides the answer. 'Cosmo, show Miss Dunbar the telegram.' Miss Dunbar reads: 'Boat arrived Southampton this morning.' 'A day earlier than they expected,' Amy explains. 'It's the other bit I am worrying about,' Cosmo says darkly. The other bit proves to be 'Hope to reach our pets this afternoon. Kisses from both to all. Deliriously excited. Mummy and Dad.' Now we see why Cosmo has been in distress. 'Pets, kisses,' he cries. 'What can the telegraph people think.' 'Surely,' Amy says, 'you want to kiss your mother.' 'I'm going to kiss her,' he replies stoutly. 'I mean to do it. It's father I am worrying about; with his "kisses to _both_ from _all_." All I can say is that, if father comes slobbering over me, I'll surprise him.' Here the outer door slams, and the three start to their feet as if Philippi had dawned. To Cosmo the slam sounds uncommonly like a
The Friendships of Women

THE FRIENDSHIPS OF WOMEN BY WILLIAM ROUNSEVILLE ALGER. A GENTLE BUSINESS AND BECOMING THE ACTION OF GOOD WOMEN. Shakespeare. BOSTON: ROBERTS BROTHERS. 1868. Entered according to Act of Congress, in the year 1867 by WILLIAM ROUNSEVILLE ALGER, In the Clerk's Office of the District Court of the District of Massachusetts. CAMBRIDGE: STEREOTYPED AND PRINTED BY JOHN WILSON AND SON. TO
father's kiss. He immediately begins to rehearse the greeting which is meant to ward off the fatal blow. 'How are you, father? I'm glad to see you, father; it's a long journey from India; won't you sit down?' Amy is the first to recover. 'How silly of us,' she says; 'it is only nurse with baby.' Presumably what we hear is a perambulator backing into its stall in the passage. Then nurse is distinctly heard in the adjoining room, and we may gather that this is for the nonce the nursery of the house, though to most occupants it would be the back dining-room. There is a door between the two rooms, and Cosmo, peeping through a chink in it, sounds to his fellow-conspirators the All's Well. 'Poor nurse,' Amy says with a kind sigh, 'I suppose I had better show her the telegram. She is sure to cry. She looks upon mother as a thief who has come to steal baby from her.' Ginevra wags her head to indicate that this is another slice of Life; and nurse being called in is confronted with the telegram. She runs a gamut of emotion without words, implies that she is nobody and must submit, nods humbly, sets her teeth, is both indignant and servile, and finally bursts into tears. Amy tries to comfort her, but gets this terrible answer: 'They'll be bringing a black woman to nurse her--a yah-yah they call them.'