these picturesque, ramshackled old castles from a point on the Küchelberg. For myself, I hate statistics (except as an element in financial prospectuses), and I really don't know how many ruinous piles Isabel and Amelia counted under Césarine's guidance; but I remember that most of them were quaint and beautiful, and that their variety of architecture seemed positively bewildering. One would be square, with funny little turrets stuck out at each angle; while another would rejoice in a big round keep, and spread on either side long, ivy-clad walls and delightful bastions. Charles was immensely taken with them. He loves the picturesque, and has a poet hidden in that financial soul of his. (Very effectually hidden, though, I am ready to grant you.) From the moment he came he felt at once he would love to possess a castle of his own among these romantic mountains. "Seldon!" he exclaimed contemptuously. "They call Seldon a castle! But you and I know very well, Sey, it was built in 1860, with sham antique stones, for Macpherson of Seldon, at market rates, by Cubitt and Co., worshipful contractors of London. Macpherson charged me for that sham antiquity a preposterous price, at which one ought to procure a real ancestral mansion. Now, _these_ castles are real. They are hoary with antiquity. Schloss Tyrol is Romanesque--tenth or eleventh century." (He had been reading it up in Baedeker.) "That's the sort of place for _me_!--tenth or eleventh century. I could live here, remote from stocks and shares, for ever; and in these sequestered glens, recollect, Sey, my boy, there are no Colonel Clays, and no arch Madame Picardets!" As a matter of fact, he could have lived there six weeks, and then tired for Park Lane, Monte Carlo, Brighton. As for Amelia, strange to say, she was equally taken with this new fad of Charles's. As a rule she hates everywhere on earth save London, except during the time when no respectable person can be seen in town, and when modest blinds shade the scandalised face of Mayfair and Belgravia. She bores herself to death even at Seldon Castle, Ross-shire, and yawns all day long in Paris or Vienna. She is a confirmed Cockney. Yet, for some occult reason, my amiable sister-in-law fell in love with South Tyrol. She wanted to vegetate in that lush vegetation. The grapes were being picked; pumpkins hung over the walls; Virginia creeper draped the quaint gray schlosses with crimson cloaks; and everything was as beautiful as a dream of Burne-Jones's. (I know I am quite right in mentioning Burne-Jones, especially in connection with Romanesque architecture, because I heard him highly praised on that very ground by our friend and enemy, Dr. Edward Polperro.) So perhaps it was excusable that Amelia should fall in love with it all, under the circumstances; besides, she is largely influenced by what Césarine says, and Césarine declares there is no climate in Europe like Meran in winter. I do not agree with her. The sun sets behind the hills at three in the afternoon, and a nasty warm wind blows moist over the snow in January and February.