The Celibates
INTRODUCTION _Les Celibataires_, the longest number of the original _Comedie Humaine_ under a single title, next to _Illusions perdues_, is not, like that book, connected by any unity of story. Indeed, the general bond of union is pretty weak; and though it is quite true that bachelors and old maids are the heroes and heroines of all three, it would be rather hard to establish any other bond of connection, and it is rather unlikely that any one unprompted would fix on this as a sufficient ground of partnership. Two at least of the component parts, however, are of very high excellence. I do not myself think that _Pierrette_, which opens the series, is quite the equal of its companions. Written, as it was, for Countess Anna de Hanska, Balzac's step-daughter of the future, while she was still very young, it partakes necessarily of the rather elaborate artificiality of all attempts to suit the young person, of French attempts in particular, and it may perhaps be said of Balzac's attempts most of all. It belongs, in a way, to the Arcis series--the series which also includes the fine _Tenebreuse Affaire_ and the unfinished _Depute d'Arcis_--but is not very closely connected
Schloss Lebenstein over again he was welcome to have it. How the
London lawyers had been duped the Count had not really the slightest
idea. He regretted the incident, and (coldly) wished us a very good
morning.
There was nothing for it but to return as best we might to the
Erzherzog Johann, crestfallen, and telegraph particulars to the
police in London.
Charles and I ran across post-haste to England to track down the
villain. At Southampton Row we found the legal firm by no means
penitent; on the contrary, they were indignant at the way we had
deceived them. An impostor had written to them on Lebenstein
paper from Meran to say that he was coming to London to negotiate
the sale of the schloss and surrounding property with the
famous millionaire, Sir Charles Vandrift; and Sir Charles had
demonstratively recognised him at sight as the real Count von
Lebenstein. The firm had never seen the present Graf at all, and
had swallowed the impostor whole, so to speak, on the strength of
Sir Charles's obvious recognition. He had brought over as documents
some most excellent forgeries--facsimiles of the originals--which,
as our courier and interpreter, he had every opportunity of
examining and inspecting at the Meran lawyers'. It was a deeply-laid
plot, and it had succeeded to a marvel. Yet, all of it depended
upon the one small fact that we had accepted the man with the long
moustache in the hall of the schloss as the Count von Lebenstein on
INTRODUCTION _Les Celibataires_, the longest number of the original _Comedie Humaine_ under a single title, next to _Illusions perdues_, is not, like that book, connected by any unity of story. Indeed, the general bond of union is pretty weak; and though it is quite true that bachelors and old maids are the heroes and heroines of all three, it would be rather hard to establish any other bond of connection, and it is rather unlikely that any one unprompted would fix on this as a sufficient ground of partnership. Two at least of the component parts, however, are of very high excellence. I do not myself think that _Pierrette_, which opens the series, is quite the equal of its companions. Written, as it was, for Countess Anna de Hanska, Balzac's step-daughter of the future, while she was still very young, it partakes necessarily of the rather elaborate artificiality of all attempts to suit the young person, of French attempts in particular, and it may perhaps be said of Balzac's attempts most of all. It belongs, in a way, to the Arcis series--the series which also includes the fine _Tenebreuse Affaire_ and the unfinished _Depute d'Arcis_--but is not very closely connected