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An American Robinson Crusoe

Creator: Allison, Samuel Buell
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XXX ROBINSON AS POTTER Robinson was now anxious to cook his food, to boil his rice and vegetables and bake bread, but he could do nothing without cooking vessels. He had tried to use cocoanut shells, but these were too small and there was no way to keep them from falling over and spilling the contents. He determined to try to make some clay vessels. He knew where he could get a kind of clay that had the appearance of making good ware. It was fine grained and without lumps or pebbles. He was much perplexed to mould the clay into right shapes. He tried taking a lump and shaping it into a vessel with his hands. He tried many times, but each time the clay broke and he was forced to try some other way. He recalled how he had made his basket out of strands of twisted grass and wondered whether he could not make his pots in the same way. He spun the clay out into a long rope and began to coil it around a small basket forming the layers together with his hands. This was easy, but he did not see clearly how he was going to get the basket out from the inside of the pot. He found he could copy in this way any form he wished, but he finally hit upon the plan of making a form of wicker work and coiling the clay rope inside it, for he saw that
Ghosts

GHOSTS by Henrik Ibsen Translated, with an Introduction, by William Archer INTRODUCTION. The winter of 1879-80 Ibsen spent in Munich, and the greater part of the summer of 1880 at Berchtesgaden. November 1880 saw him back in Rome, and he passed the summer of 1881 at Sorrento. There, fourteen years earlier, he had written the last acts of _Peer Gynt_; there he now wrote, or at any rate completed, _Gengangere_. It was published in December 1881, after he had returned to Rome. On December 22 he wrote to Ludwig Passarge, one of his German translators, "My new play has now appeared, and has occasioned a terrible uproar in the Scandinavian press; every day I receive letters and newspaper articles decrying or praising it. ... I consider it utterly impossible that any German theatre will accept the play at present. I hardly believe that they will dare to play it in the Scandinavian countries for some time to come." How
whether he succeeded or not in getting the clay free from the basket he could use the pot, and besides if the pot would stand the fire the basket would burn off. To dry the pots Robinson stood them in the sun a few days. When they were dry he tried to cook some soup in one of them. He filled it with water and put it on his stove or oven, but how sadly had he deceived himself. In a short time the water soaked into the clay and soon the pot had fallen to pieces. "How foolish I am!" said Robinson to himself; "the pots have to be fired before they can be used." He set about this at once. He found two stones of equal size, placed them near each other and laid a third across these. He then placed three large pots upon them and made a hot fire under them. No sooner had the flame shot up than one of the pots cracked in two. "I probably made the fire too hot at first," thought Robinson. He drew out some of the coals and wood, but afterwards gradually increased the fire again. He could not, however, get the pots hot enough to turn red He brought the dryest and hardest wood, but could not succeed in getting them hot enough to turn red. At length he was tired out and was compelled to give it up. When the pots were cool he tried to boil water in one. It was no better than the sun dried one. He saw that he must provide some way to get the pots much hotter than he could in the open air He resolved to make an oven of stones large enough to take in the wood as well as the pots. It must be above ground so that there might be plenty of draught for the fire. With