propriety so characteristic of Dickens's names, was, like so many of the names in Dickens, suggested by a name on a sign-board, the name of a locksmith in Long Acre. The second tract, purporting to be written by a revenue officer, and giving an account of Partridge's death, was, of course, from the pen of Swift. The verses on Partridge's death appeared anonymously on a separate sheet as a broadside. It is amusing to learn that the tract announcing Partridge's death, and the approaching death of the Duke of Noailles, was taken quite seriously, for Partridge's name was struck off the rolls of Stationers' Hall, and the Inquisition in Portugal ordered the tract containing the treasonable prediction to be burned. As Stationers' Hall had assumed that Partridge was dead--a serious matter for the prospects of his Almanac--it became necessary for him to vindicate his title to being a living person. Whether the next tract, _Squire Bickerstaff Detected_, was, as Scott asserts, the result of an appeal to Rowe or Yalden by Partridge, and they, under the pretence of assisting him, treacherously making a fool of him, or an independent _j'eu d'esprit_, is not quite clear. Nor is it easy to settle with any certainty the authorship. In the Dublin edition of Swift's works, it is attributed to Nicholas Rowe; Scott assigns it to Thomas Yalden, the preacher of Bridewell and a well-known poet. Congreve is also said to have had a hand in it. It would have been well for Partridge had he allowed matters to rest here, but unhappily he inserted in the November issue of his Almanac another solemn assurance to the public that he was still alive; and was fool enough to add, that he was not only alive at the time he was writing, but was also alive on the day on which Bickerstaff had asserted that he was dead. Swift saw his opportunity, and in the most amusing of this series of tracts proceeded to prove that Partridge, under whatever delusions as to his continued existence he might be labouring, was most certainly dead and buried. The tracts here printed by no means exhaust the literature of the Partridge hoax, but nothing else which appeared is worth reviving. It is surprising that Scott should include in Swift's works a vapid and pointless contribution attributed to a 'Person of Quality.' The effect of all this on poor Partridge was most disastrous; for three years his Almanac was discontinued. When it was revived, in 1714, he had discovered that his enemy was Swift. What comments he made will be found at the end of these tracts. Partridge did not long survive the resuscitation of his Almanac. What had been fiction became fact on June 24th, 1715, and his virtues and accomplishments, delineated by a hand more friendly than Swift's, were long decipherable, in most respectable Latin, on his tomb in Mortlake Churchyard. The Partridge hoax has left a permanent trace in our classical literature. When, in the spring of 1709, Steele was about to start the _Tatler_, he thought he could best secure the ear of the public by adopting the name with which Englishmen were then as familiar as a century and a half afterwards they became with the name of Pickwick. It was under the title of the _Lucubrations of Isaac Bickerstaff_ that the essays which initiated the most attractive and popular form of our periodical literature appeared.