When We Dead Awaken
WHEN WE DEAD AWAKEN By Henrik Ibsen. Introduction and translation by William Archer. INTRODUCTION. From _Pillars of Society_ to _John Gabriel Borkman_, Ibsen’s plays had followed each other at regular intervals of two years, save when his indignation over the abuse heaped upon _Ghosts_ reduced to a single year the interval between that play and _An Enemy of the People_. _John Gabriel Borkman_ having appeared in 1896, its successor was expected in 1898; but Christmas came and brought no rumour of a new play. In a man now over seventy, this breach of a long-established habit seemed ominous. The new National Theatre in Christiania was
marked--for though perchance, they were not so, yet it is enough they
might be so. The last point which tends to teach profit, is of a
Discourser; which name I give to whosoever speaks _non simpliciter de
facto, sed de qualitatibus et circumstantiis facti_: and that is it which
makes me and many others, rather note much with our pen than with our mind.
Because we leave all these discourses to the confused trust of our
memory; because they be not tied to the tenour of a question: as
Philosophers use sometimes, places; the Divine, in telling his opinion
and reasons in religion; sometimes the Lawyer, in showing the causes and
benefits of laws; sometimes a Natural Philosopher, in setting down the
causes of any strange thing which the Story binds him to speak of; but
most commonly a Moral Philosopher, either in the ethic part, where he
sets forth virtues or vices and the natures of passions; or in the
politic, when he doth (as often he doth) meddle sententiously with
matters of Estate. Again, sometimes he gives precept of war, both
offensive and defensive. And so, lastly, not professing any art as his
matter leads him, he deals with all arts; which--because it carrieth the
life of a lively example--it is wonderful what light it gives to the arts
themselves; so as the great Civilians help themselves with the discourses
of the Historians. So do Soldiers; and even Philosophers and Astronomers.
But that I wish herein is this, that when you read any such thing, you
straight bring it to his head, not only of what art; but by your logical
subdivisions to the next member and parcel of the art. And so--as in a
table--be it witty words, of which TACITUS is full; sentences, of which
WHEN WE DEAD AWAKEN By Henrik Ibsen. Introduction and translation by William Archer. INTRODUCTION. From _Pillars of Society_ to _John Gabriel Borkman_, Ibsen’s plays had followed each other at regular intervals of two years, save when his indignation over the abuse heaped upon _Ghosts_ reduced to a single year the interval between that play and _An Enemy of the People_. _John Gabriel Borkman_ having appeared in 1896, its successor was expected in 1898; but Christmas came and brought no rumour of a new play. In a man now over seventy, this breach of a long-established habit seemed ominous. The new National Theatre in Christiania was