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Arts and Crafts in the Middle Ages A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance

Creator: Addison, Julia de Wolf Gibbs, 1866-
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ARTS AND CRAFTS IN THE MIDDLE AGES A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance by JULIA DE WOLF ADDISON Author of "The Art of the Pitti Palace," "The Art of the National Gallery," "Classic Myths in Art," etc. [Illustration: EXAMPLES OF ECCLESIASTICAL METAL WORK] INTRODUCTION
A History of English Romanticism in the Eighteenth Century

A HISTORY OF ENGLISH ROMANTICISM IN THE EIGHTEENTH CENTURY by HENRY A. BEERS Author of _A Suburban Pastoral_, _The Ways of Vale_, etc. "Was unsterblich im Gesang soll leben Muss im Leben untergehen." --Schiller PREFACE
The very general and keen interest in the revival of arts and crafts in America is a sign full of promise and pleasure to those who are working among the so-called minor arts. One reads at every turn how greatly Ruskin and Morris have influenced handicraft: how much these men and their co-workers have modified the appearance of our streets and houses, our materials, textiles, utensils, and all other useful things in which it is possible to shock or to please the aesthetic taste, without otherwise affecting the value of these articles for their destined purposes. In this connection it is interesting to look into the past, particularly to those centuries known as the Middle Ages, in which the handicrafts flourished in special perfection, and to see for ourselves how these crafts were pursued, and exactly what these arts really were. Many people talk learnedly of the delightful revival of the arts and crafts without having a very definite idea of the original processes which are being restored to popular favour. William Morris himself, although a great modern spirit, and reformer, felt the necessity of a basis of historic knowledge in all workers. "I do not think," he says, "that any man but one of the highest genius could do anything in these days without much study of ancient art, and even he would be much hindered if he lacked it." It is but turning to the original sources, then, to examine the progress of mediaeval artistic crafts, and those sources are usually to be