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Beatrix

Creator: Balzac, Honoré de, 1799-1850
Translator: Wormeley, Katharine Prescott, 1830-1908
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Produced by John Bickers, and Dagny BEATRIX BY HONORE DE BALZAC Translated by Katharine Prescott Wormeley NOTE It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the
State of the Union Addresses of John Quincy Adams

This eBook was produced by James Linden. The addresses are separated by three asterisks: *** Dates of addresses by John Quincy Adams in this eBook: December 6, 1825 December 5, 1826 December 4, 1827 December 2, 1828 *** State of the Union Address John Quincy Adams December 6, 1825 Fellow Citizens of the Senate and of the House of Representatives: In taking a general survey of the concerns of our beloved country, with
two or three thousand portraits which he painted of human nature. In "The Great Man of the Provinces in Paris" some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d'Arthez. But in the present volume, "Beatrix," he used the characteristics of certain persons, which were recognized and admitted at the time of publication. Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture's drawing. Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d'Agoult, Liszt, and the well-known critic Gustave Planche. The opening scene of this volume, representing the manners and customs of the old Breton family, a social state existing no longer except in history, and the transition period of the /vieille roche/ as it passed into the customs and ideas of the present century, is one of Balzac's remarkable and most famous pictures in the "Comedy of Human Life." K.P.W.