The Author\'s Craft
CONTENTS PART I. SEEING LIFE PART II. WRITING NOVELS PART III. WRITING PLAYS PART IV. THE ARTIST AND THE PUBLIC PART I SEEING LIFE
The dwelling-places of the Apis, in the grim darkness beneath the
Memphite desert, are, as all the world knows, monster coffins of black
granite ranged in catacombs, hot and stifling as eternal stoves.
To reach them from the banks of the Nile we have first to traverse
the low region which the inundations of the ancient river, regularly
repeated since the beginning of time, have rendered propitious to
the growth of plants and to the development of men; an hour or two's
journey, this evening through forests of date-trees whose beautiful
palms temper the light of the March sun, which is now half veiled in
clouds and already declining. In the distance herds are grazing in the
cool shade. And we meet fellahs leading back from the field towards the
village on the river-bank their little donkeys, laden with sheaves
of corn. The air is mild and wholesome under the high tufts of these
endless green plumes, which move in the warm wind almost without noise.
We seem to be in some happy land, where the pastoral life should be
easy, and even a little paradisiacal.
But beyond, in front of us, quite a different world is gradually
revealed. Its aspect assumes the importance of a menace from the
unknown; it awes us like an apparition of chaos, of universal death.
. . . It is the desert, the conquering desert, in the midst of which
inhabited Egypt, the green valleys of the Nile, trace merely a narrow
ribbon. And here, more than elsewhere, the sight of this sovereign
desert rising up before us is startling and thrilling, so high up it
CONTENTS PART I. SEEING LIFE PART II. WRITING NOVELS PART III. WRITING PLAYS PART IV. THE ARTIST AND THE PUBLIC PART I SEEING LIFE