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Gambara

Creator: Balzac, Honoré de, 1799-1850
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and the other so common, and making game of each other to the great entertainment of the crowd, there was a moment when the Count found himself wavering between the sublime and its parody, the farcical extremes of human life. Ignoring the chain of incredible events which had brought them to this smoky den, he believed himself to be the plaything of some strange hallucination, and thought of Gambara and Giardini as two abstractions. Meanwhile, after a last piece of buffoonery from the deaf conductor in reply to Gambara, the company had broken up laughing loudly. Giardini went off to make coffee, which he begged the select few to accept, and his wife cleared the table. The Count, sitting near the stove between Marianna and Gambara, was in the very position which the mad musician thought most desirable, with sensuousness on one side and idealism on the other. Gambara finding himself for the first time in the society of a man who did not laugh at him to his face, soon diverged from generalities to talk of himself, of his life, his work, and the musical regeneration of which he believed himself to be the Messiah. "Listen," said he, "you who so far have not insulted me. I will tell you the story of my life; not to make a boast of my perseverance, which is no virtue of mine, but to the greater glory of Him who has given me strength. You seem kind and pious; if you do not believe in me at least you will pity me. Pity is human; faith comes from God."
The Anti-Slavery Alphabet

Listen, little children, all, Listen to our earnest call: You are very young, 'tis true, But there's much that you can do. Even you can plead with men That they buy not slaves again, And that those they have may be Quickly set at liberty. They may hearken what _you_ say, Though from _us_ they turn away. Sometimes, when from school you walk, You can with your playmates talk, Tell them of the slave child's fate, Motherless and desolate. And you can refuse to take Candy, sweetmeat, pie or cake, Saying "no"--unless 'tis free-- "The slave shall not work for me." Thus, dear little children, each May some useful lesson teach;
Andrea turned and drew back under his chair the foot that had been seeking that of the fair Marianna, fixing his eyes on her while listening to Gambara. "I was born at Cremona, the son of an instrument maker, a fairly good performer and an even better composer," the musician began. "Thus at an early age I had mastered the laws of musical construction in its twofold aspects, the material and the spiritual; and as an inquisitive child I observed many things which subsequently recurred to the mind of the full-grown man. "The French turned us out of our own home--my father and me. We were ruined by the war. Thus, at the age of ten I entered on the wandering life to which most men have been condemned whose brains were busy with innovations, whether in art, science, or politics. Fate, or the instincts of their mind which cannot fit into the compartments where the trading class sit, providentially guides them to the spots where they may find teaching. Led by my passion for music I wandered throughout Italy from theatre to theatre, living on very little, as men can live there. Sometimes I played the bass in an orchestra, sometimes I was on the boards in the chorus, sometimes under them with the carpenters. Thus I learned every kind of musical effect, studying the tones of instruments and of the human voice, wherein they differed and how they harmonized, listening to the score and applying the rules