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Gambara

Creator: Balzac, Honoré de, 1799-1850
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"Abdallah, the father of Ayesha,--the only maiden Mahomet has found really innocent, wherefore he changed the name of Abdallah to Abubekir (the father of the virgin),--comes forward with Ayesha and sings against the chorus, in strains which rise above the other voices and supplement the air sung by Kadijah in contrapuntal treatment. Omar, the father of another maiden who is to be Mahomet's concubine, follows Abubekir's example; he and his daughter join in to form a quintette. The girl Ayesha is first soprano, Hafsa second soprano; Abubekir is a bass, Omar a baritone. "Mahomet returns, inspired. He sings his first _bravura_ air, the beginning of the _finale_ (E major), promising the empire of the world to those who believe in him. The Prophet seeing the two damsels, then, by a gentle transition (from B major to G major), addresses them in amorous tones. Ali, Mahomet's cousin, and Khaled, his greatest general, both tenors, now arrive and announce the persecution; the magistrates, the military, and the authorities have all proscribed the Prophet (_recitative_). Mahomet declares in an invocation (in C) that the Angel Gabriel is on his side, and points to a pigeon that is seen flying away. The chorus of believers responds in accents of devotion (on a modulation to B major). The soldiers, magistrates, and officials then come on (_tempo di marcia_, common time, B major). A chorus in two divisions (_stretto_ in E major). Mahomet yields to the storm (in a descending phrase of diminished sevenths) and makes his escape. The
With the Turks in Palestine

CHAPTER I ZICRON-JACOB Thirty-five years ago, the impulse which has since been organized as the Zionist Movement led my parents to leave their homes in Roumania and emigrate to Palestine, where they joined a number of other Jewish pioneers in founding Zicron-Jacob--a little village lying just south of Mount Carmel, in that fertile coastal region close to the ancient Plains of Armageddon. Here I was born; my childhood was passed here in the peace and harmony of this little agricultural community, with its whitewashed stone houses huddled close together for protection against the native Arabs who, at first, menaced the life of the new colony. The village was far more suggestive of Switzerland than of the conventional slovenly villages of the East, mud-built and filthy; for while it was the purpose of our people, in returning to the Holy Land, to foster the Jewish language and the social conditions of the Old Testament as far as possible, there was nothing retrograde in this movement. No time was lost in introducing
fierce and gloomy tone of this _finale_ is relieved by the phrases given to the three women who foretell Mahomet's triumph, and these motives are further developed in the third act in the scene where Mahomet is enjoying his splendor." The tears rose to Gambara's eyes, and it was only upon controlling his emotion that he went on. "Act II. The religion is now established. The Arabs are guarding the Prophet's tent while he speaks with God (chorus in A minor). Mahomet appears (a prayer in F). What a majestic and noble strain is this that forms the bass of the voices, in which I have perhaps enlarged the borders of melody. It was needful to express the wonderful energy of this great human movement which created an architecture, a music, a poetry of its own, a costume and manners. As you listen, you are walking under the arcades of the Generalife, the carved vaults of the Alhambra. The runs and trills depict that delicate mauresque decoration, and the gallant and valorous religion which was destined to wage war against the gallant and valorous chivalry of Christendom. A few brass instruments awake in the orchestra, announcing the Prophet's first triumph (in a broken _cadenza_). The Arabs adore the Prophet (E flat major), and the Khaled, Amru, and Ali arrive (_tempo di marcia_). The armies of the faithful have taken many towns and subjugated the three Arabias. Such a grand recitative!--Mahomet rewards his generals by presenting them with maidens.