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Gobseck

Creator: Balzac, Honoré de, 1799-1850
Translator: Marriage, Ellen
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"But he is still enjoying it," put in the Comte de Born. "No one wears his clothes with a finer air, nor drives a tandem with a better grace. It is Maxime's gift; he can gamble, eat, and drink more gracefully than any man in the world. He is a judge of horses, hats, and pictures. All the women lose their heads over him. He always spends something like a hundred thousand francs a year, and no creature can discover that he has an acre of land or a single dividend warrant. The typical knight errant of our salons, our boudoirs, our boulevards, an amphibian half-way between a man and a woman--Maxime de Trailles is a singular being, fit for anything, and good for nothing, quite as capable of perpetrating a benefit as of planning a crime; sometimes base, sometimes noble, more often bespattered with mire than besprinkled with blood, knowing more of anxiety than of remorse, more concerned with his digestion than with any mental process, shamming passion, feeling nothing. Maxime de Trailles is a brilliant link between the hulks and the best society; he belongs to the eminently intelligent class from which a Mirabeau, or a Pitt, or a Richelieu springs at times, though it is more wont to produce Counts of Horn, Fouquier-Tinvilles, and Coignards." "Well," pursued Derville, when he had heard the Vicomtesse's brother to the end, "I had heard a good deal about this individual from poor old Goriot, a client of mine; and I had already been at some pains to avoid the dangerous honor of his acquaintance, for I came across him
Milton\'s Comus

CONTENTS. PAGE INTRODUCTION, vii COMUS, 7 NOTES, 38 INDEX TO THE NOTES, 113 INTRODUCTION. Few poems have been more variously designated than _Comus_. Milton himself describes it simply as "A Mask"; by others it has been criticised and estimated as a lyrical drama, a drama in the epic style, a lyric poem in the _form_ of a play, a phantasy, an allegory, a philosophical poem, a suite of speeches or majestic soliloquies, and even a didactic poem. Such variety in the description of the poem is explained partly by its complex charm and many-sided interest, and
sometimes in society. Still, my chum was so pressing about this breakfast-party of his that I could not well get out of it, unless I wished to earn a name for squeamishness. Madame, you could hardly imagine what a bachelor's breakfast-party is like. It means superb display and a studied refinement seldom seen; the luxury of a miser when vanity leads him to be sumptuous for a day. "You are surprised as you enter the room at the neatness of the table, dazzling by reason of its silver and crystal and linen damask. Life is here in full bloom; the young fellows are graceful to behold; they smile and talk in low, demure voices like so many brides; everything about them looks girlish. Two hours later you might take the room for a battlefield after the fight. Broken glasses, serviettes crumpled and torn to rags lie strewn about among the nauseous-looking remnants of food on the dishes. There is an uproar that stuns you, jesting toasts, a fire of witticisms and bad jokes; faces are empurpled, eyes inflamed and expressionless, unintentional confidences tell you the whole truth. Bottles are smashed, and songs trolled out in the height of a diabolical racket; men call each other out, hang on each other's necks, or fall to fisticuffs; the room is full of a horrid, close scent made up of a hundred odors, and noise enough for a hundred voices. No one has any notion of what he is eating or drinking or saying. Some are depressed, others babble, one will turn monomaniac, repeating the same word over and over again like a bell set jangling; another tries to keep the tumult within bounds; the steadiest will propose an orgy. If any one in possession of his faculties should come