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Gobseck

Creator: Balzac, Honoré de, 1799-1850
Translator: Marriage, Ellen
Contributor: -
Editor: -


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"I learned later on that the woman was studying the Code, with her husband's dying moans in her ears. If we could picture the thoughts of those who stand about a deathbed, what fearful sights should we not see? Money is always the motive-spring of the schemes elaborated, of all the plans that are made and the plots that are woven about it! Let us leave these details, nauseating in the nature of them; but perhaps they may have given you some insight into all that this husband and wife endured; perhaps too they may unveil much that is passing in secret in other houses. "For two months the Comte de Restaud lay on his bed, alone, and resigned to his fate. Mortal disease was slowly sapping the strength of mind and body. Unaccountable and grotesque sick fancies preyed upon him; he would not suffer them to set his room in order, no one could nurse him, he would not even allow them to make his bed. All his surroundings bore the marks of this last degree of apathy, the furniture was out of place, the daintiest trifles were covered with dust and cobwebs. In health he had been a man of refined and expensive tastes, now he positively delighted in the comfortless look of the room. A host of objects required in illness--rows of medicine bottles, empty and full, most of them dirty, crumpled linen, and broken plates, littered the writing-table, chairs, and chimney-piece. An open warming-pan lay on the floor before the grate; a bath, still full of mineral water had not been taken away. The sense of coming dissolution
Pauline\'s Passion and Punishment

PAULINE'S PASSION and PUNISHMENT Chapter I To and fro, like a wild creature in its cage, paced that handsome woman, with bent head, locked hands, and restless steps. Some mental storm, swift and sudden as a tempest of the tropics, had swept over her and left its marks behind. As if in anger at the beauty now proved powerless, all ornaments had been flung away, yet still it shone undimmed, and filled her with a passionate regret. A jewel glittered at her feet, leaving the lace rent to shreds on the indignant bosom that had worn it; the wreaths of hair that had crowned her with a woman's most womanly adornment fell disordered upon shoulders that gleamed the fairer for the scarlet of the pomegranate flowers clinging to the bright
pervaded all the details of an unsightly chaos. Signs of death appeared in things inanimate before the Destroyer came to the body on the bed. The Comte de Restaud could not bear the daylight, the Venetian shutters were closed, darkness deepened the gloom in the dismal chamber. The sick man himself had wasted greatly. All the life in him seemed to have taken refuge in the still brilliant eyes. The livid whiteness of his face was something horrible to see, enhanced as it was by the long dank locks of hair that straggled along his cheeks, for he would never suffer them to cut it. He looked like some religious fanatic in the desert. Mental suffering was extinguishing all human instincts in this man of scarce fifty years of age, whom all Paris had known as so brilliant and so successful. "One morning at the beginning of December 1824, he looked up at Ernest, who sat at the foot of his bed gazing at his father with wistful eyes. "'Are you in pain?' the little Vicomte asked. "'No,' said the Count, with a ghastly smile, 'it all lies _here and about my heart_!' "He pointed to his forehead, and then laid his wasted fingers on his hollow chest. Ernest began to cry at the sight. "'How is it that M. Derville does not come to me?' the Count asked