Parisians in the Country
PARISIANS IN THE COUNTRY BY HONORE DE BALZAC INTRODUCTION I have sometimes wondered whether it was accident or intention which made Balzac so frequently combine early and late work in the same volume. The question is certainly insoluble, and perhaps not worth solving, but it presents itself once more in the present instance. /L'Illustre Gaudissart/ is a story of 1832, the very heyday of Balzac's creative period, when even his pen could hardly keep up with the abundance of his fancy and the gathered stores of his minute observation. /La Muse du Departement/ dates ten years and more later, when, though there was plenty of both left, both sacks had been deeply dipped into.
canals, and embowered in shrubberies that seemed coming into leaf
and flower as we looked, so swift was the process of their growth.
These waterways were covered with skiffs being pushed and rowed in every
direction; the cheerful rowers calling to each other through the leafy
screens separating one lane from another till the place was full of their
happy chirruping. Every booth and way-side halting-place was thronged
with these delicate and sprightly people, so friendly, so gracious,
and withal so purposeless.
I began to think we should never reach the town itself, for first my
guide would sit down on a green stream-bank, his feet a-dangle in the
clear water, and bandy wit with a passing boat as though there were
nothing else in the world to think of. And when I dragged him out of
that, whispering in his ear, "The town, my dear boy! the town! I am
all agape to see it," he would saunter reluctantly to a booth a hundred
yards further on and fall to eating strange confections or sipping
coloured wines with chance acquaintances, till again I plucked him by
the sleeve and said: "Seth, good comrade--was it not so you called your
city just now?--take me to the gates, and I will be grateful to you,"
then on again down a flowery lane, aimless and happy, wasting my time
and his, with placid civility I was led by that simple guide.
Wherever we went the people stared at me, as well they might, as I walked
through them overtopping the tallest by a head or more. The drinking-cups
paused half-way to their mouths; the jests died away upon their lips;
and the blinking eyes of the drinkers shone with a momentary sparkle of
PARISIANS IN THE COUNTRY BY HONORE DE BALZAC INTRODUCTION I have sometimes wondered whether it was accident or intention which made Balzac so frequently combine early and late work in the same volume. The question is certainly insoluble, and perhaps not worth solving, but it presents itself once more in the present instance. /L'Illustre Gaudissart/ is a story of 1832, the very heyday of Balzac's creative period, when even his pen could hardly keep up with the abundance of his fancy and the gathered stores of his minute observation. /La Muse du Departement/ dates ten years and more later, when, though there was plenty of both left, both sacks had been deeply dipped into.