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Gulliver of Mars

Creator: Arnold, Edwin Lester Linden, 1857-1935
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carelessly thrown on to the carriage, and off we went. Well, to be brief, I handed in that stark old traveller from nowhere at the hospital, and as a matter of curiosity sat in the waiting-room while they examined him. In five minutes the house-surgeon on duty came in to see me, and with a shake of his head said briefly-- "Gone, sir--clean gone! Broke his neck like a pipe-stem. Most strange-looking man, and none of us can even guess at his age. Not a friend of yours, I suppose?" "Nothing whatever to do with me, sir. He slipped on the pavement and fell in front of me just now, and as a matter of common charity I brought him in here. Were there any means of identification on him?" "None whatever," answered the doctor, taking out his notebook and, as a matter of form, writing down my name and address and a few brief particulars, "nothing whatever except this curious-looking bead hung round his neck by a blackened thong of leather," and he handed me a thing about as big as a filbert nut with a loop for suspension and apparently of rock crystal, though so begrimed and dull its nature was difficult to speak of with certainty. The bead was of no seeming value and slipped unintentionally into my waistcoat pocket as I chatted for a few minutes more with the doctor, and then, shaking hands, I said goodbye, and went back to the cab which was still waiting outside.
The Chronicle of the Canons Regular of Mount St. Agnes

CONTENTS TRANSLATOR'S NOTE PREFACE THE CHRONICLE OF THE CANONS REGULAR OF MOUNT ST AGNES I. Of the first founders of the Monastery at Mount St. Agnes, and how Master Gerard Groote first pointed out this place to them. II. Of the building of the first House on Mount St. Agnes. III. Concerning the names of the first Brothers and their labours. IV. Of the scanty food and raiment of the Brothers, and how wondrously God did provide for them. V. Of the consecration of the first chapel and altar at Mount St. Agnes.
It was only on reaching home I noticed the hospital porters had omitted to take the dead man's carpet from the roof of the cab when they carried him in, and as the cabman did not care about driving back to the hospital with it, and it could not well be left in the street, I somewhat reluctantly carried it indoors with me. Once in the shine of my own lamp and a cigar in my mouth I had a closer look at that ancient piece of art work from heaven, or the other place, only knows what ancient loom. A big, strong rug of faded Oriental colouring, it covered half the floor of my sitting-room, the substance being of a material more like camel's hair than anything else, and running across, when examined closely, were some dark fibres so long and fine that surely they must have come from the tail of Solomon's favourite black stallion itself. But the strangest thing about that carpet was its pattern. It was threadbare enough to all conscience in places, yet the design still lived in solemn, age-wasted hues, and, as I dragged it to my stove-front and spread it out, it seemed to me that it was as much like a star map done by a scribe who had lately recovered from delirium tremens as anything else. In the centre appeared a round such as might be taken for the sun, while here and there, "in the field," as heralds say, were lesser orbs which from their size and position could represent smaller worlds circling about it. Between these orbs were dotted lines and arrow-heads of the oldest form pointing in all directions, while all the intervening spaces