The English Constitution
Steve Harris, Charles Franks and the Online Distributed Proofreading Team. THE ENGLISH CONSTITUTION By Walter Bagehot No. I. INTRODUCTION TO THE SECOND EDITION. There is a great difficulty in the way of a writer who attempts to sketch a living Constitution--a Constitution that is in actual work and power. The difficulty is that the object is in constant change.
as they trooped down the steps of the Hall to the waiting taxicab.
Jane had chosen a particularly stunning frock of silver tissue, worn
over a foundation of dull green satin. In lieu of flowers, a single
beautiful spray of English ivy trailed across one white shoulder. The
gown was the handsomest she owned and she had originally intended to
save it for a later festivity. Realizing that she must inevitably become
a target for the displeased eyes of those who disliked her, she had
decided that so far as apparel went she would leave no room for
criticism.
Adrienne, who loved daring colors, had elected to appear in a chiffon
creation, the exact shade of an American Beauty rose. It set off her
dark, vivid loveliness to perfection. Designed by herself, it had been
fashioned by a French woman who attended to the making of her
distinguished mother's gowns. In consequence, it was a triumph of its
kind. As a last touch, a cluster of short-stemmed American Beauties
nestled against the low-cut bodice of the gown.
Judith looked charming in a white net over apricot taffeta with a bunch
of sunset roses tucked into the black velvet ribbon sash that completed
the costume.
Norma was wearing the becoming blue and white gown Jane had given her
the previous year. Since that first eventful freshman dance, when Jane
had played fairy godmother to her, she had worn the exquisite frock only
Steve Harris, Charles Franks and the Online Distributed Proofreading Team. THE ENGLISH CONSTITUTION By Walter Bagehot No. I. INTRODUCTION TO THE SECOND EDITION. There is a great difficulty in the way of a writer who attempts to sketch a living Constitution--a Constitution that is in actual work and power. The difficulty is that the object is in constant change.