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Joy in the Morning

Creator: Andrews, Mary Raymond Shipman, 1860-1936
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"Oh, my Lawd!" moaned Aunt Basha, sitting down and rocking hard. "Does dey sleep in de col' yeth? Oh, my Lawd have mercy!" It was the first realization she had had of the details of the war. "You ain't gwine over dar, is you young marse, honey?" she asked anxiously. "I wish to God I was," spoke Lance through set teeth. "No, Aunt Basha, they won't take me. Because I'm lame. I'd give my life to go. And because I can't fight I _must_ buy bonds. Do you see? I must. I'd sell my soul to get money for Liberty Bonds. Oh, God!" Lance was as if alone, with only that anxious old black face gazing up at him. "Oh, God--it's my country!" Suddenly the rich flowing voice spoke. "Young marse, it's my country too, sir," said Aunt Basha. Lance turned and stared. How much did the words mean to the old woman? In a moment he knew. "Yas, my young marseter, dis yer America's de ole black 'oman's country, thes like it's fine young white man's, like you, sir. I gwine give my las' cent, like you say. Yas, I gwine do dat. I got two hun'erd dollars, sir; I b'en a-savin' and a-savin' for Jeems 'n me 'ginst when we git ole, but I gwine give dat to my country. I want Unc' Sam to buy good food for dem boys in the muddy water. Bacon 'n hominy, sir--'n corn
Air Service Boys in the Big Battle

AIR SERVICE BOYS IN THE BIG BATTLE Or SILENCING THE BIG GUNS By Charles Amory Beach CHAPTER I BAD NEWS FROM THE AIR "Well, Tom, how's your head now?" "How's my head? What do you mean? There's nothing the matter with my head," and the speaker, who wore the uniform of a French aviator, glanced up in surprise from the cot on which he was reclining in his
bread, what's nourishin'. 'N I want you to git de--de Liberty what-je-call-'ems. Yassir. 'Caze you ain't got no ma to he'ep you out, 'n de ole black 'oman's gwine to be de bes' ma she know how to her young marse. I got de money tied up--" she leaned forward and whispered--"in a stockin' in de bottom draw' ob de chist unner Jeem's good coat. Tomorrow I gwine fetch it, 'n you go buy yo' what-je-calls-'ems." Lance went across and knelt on the floor beside her and put his arms around the stout figure. He had been brought up with a colored mammy and this affection seemed natural and homelike. "Aunt Basha, you're one of the saints," he said. "And I love you for it. But I wouldn't take your blessed two hundred, not for anything on earth. I'd be a hound to take it. If you want some bonds"--it flashed to him that the money would be safer so than in the stocking under Jeem's coat--"why, I'll get them for you. Come into the _Daybreak_ office and ask for me, say--Monday. And I'll go with you to the bank and get bonds. Here's my card. Show anybody that at the office." And he gave directions. Five minutes later the old woman went off down the street talking half aloud to herself in fragments of sentences about "Liberty what-je-call-'ems" and "my country too." In the little shack uptown that was home for her and her husband she began at once to set forth her new light. Jeems, who added to the family income by taking care of furnaces and doing odd jobs, was grizzled and hobbling of body, but argumentative of soul.