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Joy in the Morning

Creator: Andrews, Mary Raymond Shipman, 1860-1936
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The Time.--A summer day in 1918 and a summer day in 2018 FIRST ACT _The time is a summer day in 1918. The scene is the first-line trench of the Germans--held lately by the Prussian Imperial Guard--half an hour after it had been taken by a charge of men from the Blank_th _Regiment, United States Army. There has been a mistake and the charge was not preceded by artillery preparation as usual. However, the Americans have taken the trench by the unexpectedness of their attack, and the Prussian Guard has been routed in confusion. But the German artillery has at once opened fire on the Americans, and also a German machine gun has enfiladed the trench. Ninety-nine Americans have been killed in the trench. One is alive, but dying. He speaks, being part of the time delirious._ _The Boy_. Why can't I stand? What--is it? I'm wounded. The sand-bags roll when I try--to hold to them. I'm--badly wounded. (_Sinks down. Silence._) How still it is! We--we took the trench. Glory be! We took it! (_Shouts weakly as he lies in the trench._) (_Sits up and stares,
Average Jones

AVERAGE JONES By Samuel Hopkins Adams CHAPTER I THE B-FLAT TROMBONE Three men sat in the Cosmic Club discussing the question: "What's the matter with Jones?" Waldemar, the oldest of the conferees, was the owner, and at times the operator, of an important and decent newspaper. His heavy face wore the expression of good-humored power, characteristic of the experienced and successful journalist. Beside him sat Robert Bertram, the club idler, slender and languidly elegant. The third member of the conference was Jones himself.
shading his eyes_.) It's horrid still. Why--they're here! Jack--you! What makes you--lie there? You beggar--oh, my God! They're dead. Jack Arnold, and Martin and--Cram and Bennett and Emmet and--Dragamore--Oh--God, God! All the boys! Good American boys. The whole blamed bunch--dead in a ditch. Only me. Dying, in a ditch filled with dead men. What's the sense? (_Silence_.) This damned silly war. This devilish--killing. When we ought to be home, doing man's work--and play. Getting some tennis, maybe, this hot afternoon; coming in sweaty and dirty--and happy--to a tub--and dinner--with mother. (_Groans_.) It begins to hurt--oh, it hurts confoundedly. (_Becomes delirious_.) Canoeing on the river. With little Jim. See that trout jump, Jimmie? Cast now. Under the log at the edge of the trees. That's it! Good--oh! (_Groans_.) It hurts--badly. Why, how can I stand it? How can anybody? I'm badly wounded. Jimmie--tell mother. Oh--good boy--you've hooked him. Now play him; lead him away from the lily-pads. (_Groans_.) Oh, mother! Won't you come? I'm wounded. You never failed me before. I need you--if I die. You went away down--to the gate of life, to bring me inside. Now--it's the gate of death--you won't fail? You'll bring me through to that other life? You and I, mother--and I won't be scared. You're the first--and the last. (_Puts out his arm searching and folds a hand, still warm, of a dead soldier_.) Ah--mother, my dear. I knew--you'd come. Your hand is warm--comforting. You always--are there when I need you. All my life. Things are getting--hazy. (_He laughs_.) When I was a kid and came down in an elevator--I was all right, I didn't mind the drop if I might hang on to your hand. Remember? (_Pats dead soldier's hand, then clutches it again tightly_.) You come with me when I go