The Courage of the Commonplace
The Courage of the Commonplace by Mary Raymond Shipman Andrews The girl and her chaperon had been deposited early in the desirable second-story window in Durfee, looking down on the tree. Brant was a senior and a "Bones" man, and so had a leading part to play in the afternoon's drama. He must get the girl and the chaperon off his hands, and be at his business. This was "Tap Day." It is perhaps well to explain what "Tap Day" means; there are people who have not been at Yale or had sons or sweethearts there. In New Haven, on the last Thursday of May, toward five in the afternoon, one becomes aware that the sea of boys which ripples always over the little city has condensed into a river flowing into the campus. There the flood divides and re-divides; the junior class is separating and gathering from all directions into a solid mass about the nucleus of a large, low-hanging oak tree inside the college fence in front of Durfee Hall. The three senior societies of Yale, Skull and Bones, Scroll and Key, and Wolf's Head, choose to-day fifteen members each from the junior
mother; it is a commonplace of French eloquence, and we have often
smiled at it as mere sentimental platitude; but in these letters we see
a son's love for his mother no longer insisted upon or dressed up in
rhetoric, but naked and unconscious, a habit of the mind, a need of the
soul, a support even to the weakness of the flesh. Such affection with
us is apt to be, if not shamefaced, at least a little off-hand. Often it
exists, and is strong; but it is seldom so constant an element in all
joy and sorrow. The most loving of English sons would not often rather
talk to his mother than to any one else; but one knows that this
Frenchman would rather talk to his mother than to any one else, and that
he can talk to her more intimately than to any woman or man. One can see
that he has had the long habit of talking to her thus, so that now he
does it easily and without restraint. He tells her the deepest thoughts
of his mind, knowing that she will understand them better than any one
else. That foreboding which the mother felt about her baby in Morris's
poem has never come true about him:
'Lo, here thy body beginning, O son, and thy soul and thy life,
But how will it be if thou livest and enterest into the strife,
And in love we dwell together when the man is grown in thee,
When thy sweet speech I shall hearken, and yet 'twixt thee and me
Shall rise that wall of distance that round each one doth grow,
And maketh it hard and bitter each other's thought to know?'
This son has lived and entered into the strife indeed; but the wall of
distance has not grown round him; and, as we read these letters, we
The Courage of the Commonplace by Mary Raymond Shipman Andrews The girl and her chaperon had been deposited early in the desirable second-story window in Durfee, looking down on the tree. Brant was a senior and a "Bones" man, and so had a leading part to play in the afternoon's drama. He must get the girl and the chaperon off his hands, and be at his business. This was "Tap Day." It is perhaps well to explain what "Tap Day" means; there are people who have not been at Yale or had sons or sweethearts there. In New Haven, on the last Thursday of May, toward five in the afternoon, one becomes aware that the sea of boys which ripples always over the little city has condensed into a river flowing into the campus. There the flood divides and re-divides; the junior class is separating and gathering from all directions into a solid mass about the nucleus of a large, low-hanging oak tree inside the college fence in front of Durfee Hall. The three senior societies of Yale, Skull and Bones, Scroll and Key, and Wolf's Head, choose to-day fifteen members each from the junior