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Letters of Two Brides

Creator: Balzac, Honoré de, 1799-1850
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Dearly should I like to know who was the giver of this dainty work of art, which was such a favorite with her. How often have I seen the old lady, her feet upon the bar, reclining in the easy-chair, with her dress half raised in front, toying with the snuff-box, which lay upon the ledge between her box of pastilles and her silk mits. What a coquette she was! to the day of her death she took as much pains with her appearance as though the beautiful portrait had been painted only yesterday, and she were waiting to receive the throng of exquisites from the Court! How the armchair recalls to me the inimitable sweep of her skirts as she sank back in it! These women of a past generation have carried off with them secrets which are very typical of their age. The Princess had a certain turn of the head, a way of dropping her glance and her remarks, a choice of words, which I look for in vain, even in my mother. There was subtlety in it all, and there was good-nature; the points were made without any affectation. Her talk was at once lengthy and concise; she told a good story, and could put her meaning in three words. Above all, she was extremely free-thinking, and this has undoubtedly had its effect on my way of looking at things. From seven years old till I was ten, I never left her side; it pleased her to attract me as much as it pleased me to go. This preference was the cause of more than one passage at arms between her and my mother,
When We Dead Awaken

WHEN WE DEAD AWAKEN By Henrik Ibsen. Introduction and translation by William Archer. INTRODUCTION. From _Pillars of Society_ to _John Gabriel Borkman_, Ibsen’s plays had followed each other at regular intervals of two years, save when his indignation over the abuse heaped upon _Ghosts_ reduced to a single year the interval between that play and _An Enemy of the People_. _John Gabriel Borkman_ having appeared in 1896, its successor was expected in 1898; but Christmas came and brought no rumour of a new play. In a man now over seventy, this breach of a long-established habit seemed ominous. The new National Theatre in Christiania was
and nothing intensifies feeling like the icy breath of persecution. How charming was her greeting, "Here you are, little rogue!" when curiosity had taught me how to glide with stealthy snake-like movements to her room. She felt that I loved her, and this childish affection was welcome as a ray of sunshine in the winter of her life. I don't know what went on in her rooms at night, but she had many visitors; and when I came on tiptoe in the morning to see if she were awake, I would find the drawing-room furniture disarranged, the card-tables set out, and patches of snuff scattered about. This drawing-room is furnished in the same style as the bedroom. The chairs and tables are oddly shaped, with claw feet and hollow mouldings. Rich garlands of flowers, beautifully designed and carved, wind over the mirrors and hang down in festoons. On the consoles are fine china vases. The ground colors are scarlet and white. My grandmother was a high-spirited, striking brunette, as might be inferred from her choice of colors. I have found in the drawing-room a writing-table I remember well; the figures on it used to fascinate me; it is plaited in graven silver, and was a present from one of the Genoese Lomellini. Each side of the table represents the occupations of a different season; there are hundreds of figures in each picture, and all in relief. I remained alone for two hours, while old memories rose before me, one after another, on this spot, hallowed by the death of a woman most