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Life at High Tide

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Editor: Alden, Henry Mills, 1836-1919, Howells, William Dean, 1837-1920


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talk about) that the Selectmen had told Mr. Dean, the superintendent, that he could call at Dyer's Hotel--to which Nathaniel, peacefully and pennilessly, had drifted--and take him out to the Farm. "Sam Dyer says he'll keep him till next week," Mrs. Butterfield told Lizzie Graham; "but, course, he can't just let him set down at the hotel for the rest of his natural life. And Nat May would do it, you know." "I believe he would," Lizzie Graham admitted; "he was always kind of simple that way, willin' to take and willin' to give. Don't you mind how he used to be always sharin' anything he had? James used to say Nat never knowed his own things belonged to him." "Folks like that don't never get rich," Mrs. Butterfield said; "but there! you like 'em." The two women were walking down a stony hillside, each with a lard-pail full of blueberries. It was a hot August afternoon; a northwest wind, harsh and dry, tore fiercely across the scrub-pines and twinkling birches of the sun-baked pastures. Lizzie Graham held on to her sun-bonnet, and stopped in a scrap of shade under a meagre oak to get breath. "My! I don't like wind," she said, laughing.
The Light in the Clearing

CONTENTS BOOK ONE WHICH IS THE STORY OF THE CANDLE AND COMPASS CHAPTER I The Melon Harvest II I Meet the Silent Woman and Silas Wright, Jr. III We Go to Meeting and See Mr. Wright Again IV Our Little Strange Companion V In the Light of the Candles VI The Great Stranger VII My Second Peril VIII My Third Peril BOOK TWO WHICH IS THE STORY OF THE PRINCIPAL WITNESS
"Let's set down a while," Mrs. Butterfield suggested. "I'd just as leaves," Lizzie said, and took off her blue sunbonnet and fanned herself. She was a pretty woman still, though she was nearly fifty; her hair was russet red, and blew about her forehead in little curls; her eyes, brown like a brook in shady places, and kind. It was a mild face, but not weak. Below them the valley shimmered in the heat; the grass was hot and brittle underfoot; popples bent and twisted in a scorching wind, and a soft, dark glitter of movement ran through the pines on the opposite hillside. "The Farm ain't got a mite of shade round it," Lizzie said; "just sets there at the crossroads and bakes." "You was always great for trees," Mrs. Butterfield said; "your house is too dark for my taste. If I was you, I'd cut down that biggest ellum." "Cut it down! Well, I suppose you'll laugh, but them trees are real kind o' friends. There! I knowed you'd laugh; but I wouldn't cut down a tree any more 'an I'd--I don't know what!" "They do darken." "Some. But only in summer; and then you want 'em to. And the Poor Farm