clothes, young girls with faces white and glossy as the bridal satin which is the color of their thoughts, young men carrying jars of flowers. All these appear on the esplanade, where graying lime trees are also in assembly. Children are sitting on the ground. Monsieur Joseph Boneas, in black, with his supremely distinguished air, goes by holding his mother's arm. I bow deeply to them. He points at the unfolding spectacle as he passes and says, "It is our race's festival." The words made me look more seriously at the scene before my eyes--all this tranquil and contemplative stir in the heart of festive nature. Reflection and the vexations of my life have mellowed my mind. The idea at last becomes clear in my brain of an entirety, an immense multitude in space, and infinite in time, a multitude of which I am an integral part, which has shaped me in its image, which continues to keep me like it, and carries me along its control; my own people. Baroness Grille, in the riding habit that she almost always wears when mixing with the people, is standing near the imposing entry to the cemetery. Monsieur the Marquis of Monthyon is holding aloft his stately presence, his handsome and energetic face. Solid and sporting, with dazzling shirt cuffs and fine ebon-black shoes, he parades a smile. There is an M.P. too, a former Minister, very assiduous, who chats with the old duke. There are the Messrs. Gozlan and famous people whose names one does not know. Members of the Institute of the great learned associations, or people fabulously wealthy. Not far from these groups, which are divided from the rest by a scarlet barrier of beaters and the flashing chain of their slung horns, arises Monsieur Fontan. The huge merchant and cafe-owner occupies an intermediate and isolated place between principals and people. His face is disposed in fat white tiers, like a Buddha's belly. Monumentally motionless he says nothing at all, but he tranquilly spits all around him. He radiates saliva. And for this ceremony, which seems like an apotheosis, all the notables of our quarter are gathered together, as well as those of the other quarter, who seem different and are similar. We elbow the ordinary types. Apolline goes crabwise. She is in new things, and has sprinkled Eau-de-Cologne on her skin; her eye is bright; her face well-polished; her ears richly adorned. She is always rather dirty, and her wrists might be branches, but she has cotton gloves. There are some shadows in the picture, for Brisbille has come with his crony, Termite, so that his offensive and untidy presence may be a protest. There is another blot--a working man's wife, who speaks at their meetings; people point at her. "What's that woman doing here?" "She doesn't believe in God," says some one.