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Creator: Barbusse, Henri, 1873-1935
Translator: Wray, Fitzwater
Contributor: -
Editor: -


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cease. She chokes and wags her head and wipes her face with her sleeve. I risk saying, gently, "Yes, I know it well." A sigh is my answer. She lights the fire. The coal sends out a cushion of smoke, which expands and rolls up the stove, falls back, and piles its muslin on the floor. Mame manipulates the stove with her feet in the cloudy deposit; and the hazy white hair which escapes from her black cap is also like smoke. Then she seeks her handkerchief and pats her pockets to get the velvet coal-dust off her fingers. Now, with her back turned, she is moving casseroles about. "Monsieur Crillon's father," she says, "old Dominic, had come from County Cher to settle down here in '66 or '67. He's a sensible man, seeing he's a town councilor. (We must tell him nicely to take his buckets away from our door.) Monsieur Boneas is very rich, and he speaks so well, in spite of his bad neck. You must show yourself off to all these gentlemen. You're genteel, and you're already getting a hundred and eighty francs a month, and it's vexing that you haven't got some sign to show that you're on the commercial side, and not a workman, when you're going in and out of the factory." "That can be seen easily enough."
Some Remarks on the Tragedy of Hamlet, Prince of Denmark, Written by Mr. William Shakespeare (1736)

Series Three: _Essays on the Stage_ No. 3 Anonymous [attributed to Thomas Hanmer], _Some Remarks on the Tragedy of Hamlet, Prince of Denmark, Written by Mr. William Shakespeare_ (1736). With an Introduction by Clarence D. Thorpe and a Bibliographical Note The Augustan Reprint Society September, 1947 _Price_: 75c
"I'd rather you had a badge." Breathing damply and forcefully, she sniffs harder and quicker, and looks here and there for her handkerchief; she prowls with the lamp. As my eyes follow her, the room awakens more and more. My groping gaze discovers the tiled floor, the conference of chairs backed side by side against the wall, the motionless pallor of the window in the background above the low and swollen bed, which is like a heap of earth and plaster, the clothes lying on the floor like mole-hills, the protruding edges of tables and shelves, pots, bottles, kettles and hanging clouts, and that lock with the cotton-wool in its ear. "I like orderliness so much," says Mame as she tacks and worms her way through this accumulation of things, all covered with a downy layer of dust like the corners of pastel pictures. According to habit, I stretch out my legs and put my feet on the stool, which long use has polished and glorified till it looks new. My face turns this way and that towards the lean phantom of my aunt, and I lull myself with the sounds of her stirring and her endless murmur. And now, suddenly, she has come near to me. She is wearing her jacket of gray and white stripes which hangs from her acute shoulders, she puts her arm around my neck, and trembles as she says, "You can mount high, you can, with the gifts that you have. Some day, perhaps, you will go and tell men everywhere the truth of things. That _has_