The Pagans
CONTENTS. I. SOME SPEECH OF MARRIAGE II. THE HEAVY MIDDLE OF THE NIGHT III. THE SHOT OF ACCIDENT IV. AFTER SUCH A PAGAN CUT V. THE BITTER PAST VI. A BOND OF AIR VII. IN WAY OF TASTE VIII. THE INLY TOUCH OF LOVE IX. VOLUBLE AND SHARP DISCOURSE X. O, WICKED WIT AND GIFT XI. WHOM THE FATES HAVE MARKED XII. WHAT TIME SHE CHANTED XIII. THE ASSAY OF ART XIV. THIS IS NOT A BOON XV. 'TWAS WONDROUS PITIFUL XVI. CRUEL PROOF OF THIS MAN'S STRENGTH XVII. THIS "WOULD" CHANGES XVIII. BEDECKING ORNAMENTS OF PRAISE XIX. NOW HE IS FOR THE NUMBERS
"Sometimes," he answered modestly.
"Please do now. I want to hear it, so I can tell Beth."
"Won't you first?"
"Don't know how. Too stupid to learn, but I love music dearly."
So Laurie played and Jo listened, with her nose luxuriously
buried in heliotrope and tea roses. Her respect and regard for
the 'Laurence' boy increased very much, for he played remarkably well
and didn't put on any airs. She wished Beth could hear him, but
she did not say so, only praised him till he was quite abashed, and
his grandfather came to his rescue.
"That will do, that will do, young lady. Too many sugarplums
are not good for him. His music isn't bad, but I hope he will do
as well in more important things. Going? well, I'm much obliged
to you, and I hope you'll come again. My respects to your mother.
Good night, Doctor Jo."
He shook hands kindly, but looked as if something did not
please him. When they got into the hall, Jo asked Laurie if she
had said something amiss. He shook his head.
CONTENTS. I. SOME SPEECH OF MARRIAGE II. THE HEAVY MIDDLE OF THE NIGHT III. THE SHOT OF ACCIDENT IV. AFTER SUCH A PAGAN CUT V. THE BITTER PAST VI. A BOND OF AIR VII. IN WAY OF TASTE VIII. THE INLY TOUCH OF LOVE IX. VOLUBLE AND SHARP DISCOURSE X. O, WICKED WIT AND GIFT XI. WHOM THE FATES HAVE MARKED XII. WHAT TIME SHE CHANTED XIII. THE ASSAY OF ART XIV. THIS IS NOT A BOON XV. 'TWAS WONDROUS PITIFUL XVI. CRUEL PROOF OF THIS MAN'S STRENGTH XVII. THIS "WOULD" CHANGES XVIII. BEDECKING ORNAMENTS OF PRAISE XIX. NOW HE IS FOR THE NUMBERS