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Little Women

Creator: Alcott, Louisa May, 1832-1888
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chair and be graceful. I don't care if Hugo does come at me with a pistol," returned Amy, who was not gifted with dramatic power, but was chosen because she was small enough to be borne out shrieking by the villain of the piece. "Do it this way. Clasp your hands so, and stagger across the room, crying frantically, 'Roderigo! Save me! Save me!'" and away went Jo, with a melodramatic scream which was truly thrilling. Amy followed, but she poked her hands out stiffly before her, and jerked herself along as if she went by machinery, and her "Ow!" was more suggestive of pins being run into her than of fear and anguish. Jo gave a despairing groan, and Meg laughed outright, while Beth let her bread burn as she watched the fun with interest. "It's no use! Do the best you can when the time comes, and if the audience laughs, don't blame me. Come on, Meg." Then things went smoothly, for Don Pedro defied the world in a speech of two pages without a single break. Hagar, the witch, chanted an awful incantation over her kettleful of simmering toads, with weird effect. Roderigo rent his chains asunder manfully, and Hugo died in agonies of remorse and arsenic, with a wild, "Ha! Ha!" "It's the best we've had yet," said Meg, as the dead villain sat up and rubbed his elbows.
Michael\'s Crag

CONTENTS. CHAPTER. I. A CORNISH LANDLORD II. TREVENNACK III. FACE TO FACE IV. TYRREL'S REMORSE V. A STRANGE DELUSION VI. PURE ACCIDENT VII. PERIL BY LAND VIII. SAFE AT LAST IX. MEDICAL OPINION
"I don't see how you can write and act such splendid things, Jo. You're a regular Shakespeare!" exclaimed Beth, who firmly believed that her sisters were gifted with wonderful genius in all things. "Not quite," replied Jo modestly. "I do think _The Witches Curse, an Operatic Tragedy_ is rather a nice thing, but I'd like to try _Macbeth_, if we only had a trapdoor for Banquo. I always wanted to do the killing part. 'Is that a dagger that I see before me?" muttered Jo, rolling her eyes and clutching at the air, as she had seen a famous tragedian do. "No, it's the toasting fork, with Mother's shoe on it instead of the bread. Beth's stage-struck!" cried Meg, and the rehearsal ended in a general burst of laughter. "Glad to find you so merry, my girls," said a cheery voice at the door, and actors and audience turned to welcome a tall, motherly lady with a 'can I help you' look about her which was truly delightful. She was not elegantly dressed, but a noble-looking woman, and the girls thought the gray cloak and unfashionable bonnet covered the most splendid mother in the world. "Well, dearies, how have you got on today? There was so much to do, getting the boxes ready to go tomorrow, that I didn't come home