Flatland: a romance of many dimensions
SECTION 1 Of the Nature of Flatland I call our world Flatland, not because we call it so, but to make its nature clearer to you, my happy readers, who are privileged to live in Space. Imagine a vast sheet of paper on which straight Lines, Triangles, Squares, Pentagons, Hexagons, and other figures, instead of remaining fixed in their places, move freely about, on or in the surface, but without the power of rising above or sinking below it, very much like shadows--only hard with luminous edges--and you will then have a pretty correct notion of my country and countrymen. Alas, a few years ago, I should have said "my universe:" but now my mind has been opened to higher views of things. In such a country, you will perceive at once that it is impossible that there should be anything of what you call a "solid" kind; but I dare say you will suppose that we could at least distinguish by sight the Triangles, Squares,
toward the door, but did not reach it before Michael, who had glided
along behind one of the counters.
"You're a fool! And don't know which side your bread's buttered," he
said, with a half leer, half scowl.
She neither paused nor replied, but, stepping quickly out, walked
hurriedly away. Young Perkins, before alluded to, entered at the
moment, and heard Michael's grossly insulting language.
"Is that the way to talk to a lady, Michael?" he asked, looking at
him somewhat sternly.
"But you don't call her a lady, I hope, Mr. Perkins?" the salesman
retorted, seeming, however, a little confused as he spoke.
"Do you know any thing to the contrary?" the young man asked, still
looking Michael in the face.
"I can't say that I know much about her, any way, either good or
bad."
"Then why did you use such language as I heard just now?"
"Oh, well! Never mind, Mr. Perkins," said Michael, his whole manner
changing as a new idea arose in his thoughts; "if she's your game,
SECTION 1 Of the Nature of Flatland I call our world Flatland, not because we call it so, but to make its nature clearer to you, my happy readers, who are privileged to live in Space. Imagine a vast sheet of paper on which straight Lines, Triangles, Squares, Pentagons, Hexagons, and other figures, instead of remaining fixed in their places, move freely about, on or in the surface, but without the power of rising above or sinking below it, very much like shadows--only hard with luminous edges--and you will then have a pretty correct notion of my country and countrymen. Alas, a few years ago, I should have said "my universe:" but now my mind has been opened to higher views of things. In such a country, you will perceive at once that it is impossible that there should be anything of what you call a "solid" kind; but I dare say you will suppose that we could at least distinguish by sight the Triangles, Squares,