At Large
Contents I. THE SCENE II. CONTENTMENT III. FRIENDSHIP IV. HUMOUR V. TRAVEL VI. SPECIALISM VII. OUR LACK OF GREAT MEN VIII. SHYNESS IX. EQUALITY X. THE DRAMATIC SENSE XI. KELMSCOTT AND WILLIAM MORRIS XII. A SPEECH DAY XIII. LITERARY FINISH XIV. A MIDSUMMER DAY'S DREAM XV. SYMBOLS XVI. OPTIMISM XVII. JOY XVIII. THE LOVE OF GOD EPILOGUE
floor slowly. Suddenly pausing, at length she sighed heavily, and
went to the bed upon which lay her work, took it up, unrolled the
bundle, and seating herself by the table, entered once more upon her
daily toil. But her mind was too much disturbed, from some cause, to
permit her to pursue her work steadily. In a little while she laid
aside the garment upon which she had begun to sew, and, leaning
forward, rested her head upon the table, sighing heavily as she did
so, and pressing one hand hard against her side, as if to relieve
pain. A tap at the door aroused her from this state of abstraction.
As she turned, the door was quietly opened, and the woman she had
seen at the tailor's a short time before, entered. She started to
her feet at this unexpected apparition, and gazed, with a look of
surprise, inquiry, and hope, upon her visitor.
"Can it be Mrs. Gaston? But no! no!" and the young creature shook
her head mournfully.
"Eugenia!" exclaimed Mrs. Gaston, springing forward, and instantly
the two were locked in each other's arms, and clinging together with
convulsive eagerness.
"But no, no! It cannot be my own Eugenia," said Mrs. Gaston, slowly
disengaging herself, and holding the young woman from her, while she
read over every feature of her pale, thin face. "Surely I am in a
strange dream!"
Contents I. THE SCENE II. CONTENTMENT III. FRIENDSHIP IV. HUMOUR V. TRAVEL VI. SPECIALISM VII. OUR LACK OF GREAT MEN VIII. SHYNESS IX. EQUALITY X. THE DRAMATIC SENSE XI. KELMSCOTT AND WILLIAM MORRIS XII. A SPEECH DAY XIII. LITERARY FINISH XIV. A MIDSUMMER DAY'S DREAM XV. SYMBOLS XVI. OPTIMISM XVII. JOY XVIII. THE LOVE OF GOD EPILOGUE