Pamela Giraud
PAMELA GIRAUD by Honore de Balzac Etext prepared by Dagny, dagnypg@yahoo.com and John Bickers, jbickers@ihug.co.nz PAMELA GIRAUD A PLAY IN FIVE ACTS BY HONORE DE BALZAC Presented for the First Time at Paris at the Theatre de la Gaite, September 26, 1843
money: you must employ it for the public benefit in order that the
public may know that you have it. The time for economy and for
accumulation is before. A good banker will have accumulated in
ordinary times the reserve he is to make use of in extraordinary
times.
Ordinarily discredit does not at first settle on any particular
bank, still less does it at first concentrate itself on the bank or
banks holding the principal cash reserve. These banks are almost
sure to be those in best credit, or they would not be in that
position, and, having the reserve, they are likely to look stronger
and seem stronger than any others. At first, incipient panic amounts
to a kind of vague conversation: Is A. B. as good as he used to be?
Has not C. D. lost money? and a thousand such questions. A hundred
people are talked about, and a thousand think,--'Am I talked about,
or am I not?' 'Is my credit as good as it used to be, or is it
less?' And every day, as a panic grows, this floating suspicion
becomes both more intense and more diffused; it attacks more
persons; and attacks them all more virulently than at first. All men
of experience, therefore, try to strengthen themselves,' as it is
called, in the early stage of a panic; they borrow money while they
can; they come to their banker and offer bills for discount, which
commonly they would not have offered for days or weeks to come. And
if the merchant be a regular customer, a banker does not like to
refuse, because if he does he will be said, or may be said, to be in
want of money, and so may attract the panic to himself. Not only
PAMELA GIRAUD by Honore de Balzac Etext prepared by Dagny, dagnypg@yahoo.com and John Bickers, jbickers@ihug.co.nz PAMELA GIRAUD A PLAY IN FIVE ACTS BY HONORE DE BALZAC Presented for the First Time at Paris at the Theatre de la Gaite, September 26, 1843