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Lost Illusions

Creator: Balzac, Honoré de, 1799-1850
Translator: Marriage, Ellen
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her suggestion was something better than praise; it was the first grace given by love. "But give me time to dress!" she said, as David made as if to go at once. David went out; he who all his life long had not known one tune from another, was humming to himself; honest Postel hearing him with surprise, conceived a vehement suspicion of Eve's feelings towards the printer. The most trifling things that happened that evening made a great impression on Lucien, and his character was peculiarly susceptible to first impressions. Like all inexperienced lovers he arrived so early that Louise was not in the drawing-room; but M. de Bargeton was there, alone. Lucien had already begun to serve his apprenticeship in the practice of the small deceits with which the lover of a married woman pays for his happiness--deceits through which, moreover, she learns the extent of her power; but so far Lucien had not met the lady's husband face to face. M. de Bargeton's intellect was of the limited kind, exactly poised on the border line between harmless vacancy, with some glimmerings of
The World\'s Best Poetry, Volume 3 Sorrow and Consolation

THE WORLD'S BEST POETRY I Home: Friendship VI Fancy: Sentiment II Love VII Descriptive: Narrative III Sorrow and Consolation VIII National Spirit IV The Higher Life IX Tragedy: Humor V Nature X Poetical Quotations * * * * * THE WORLD'S BEST POETRY
sense, and the excessive stupidity that can neither take in nor give out any idea. He was thoroughly impressed with the idea of doing his duty in society; and, doing his utmost to be agreeable, had adopted the smile of an opera dancer as his sole method of expression. Satisfied, he smiled; dissatisfied, he smiled again. He smiled at good news and evil tidings; with slight modifications the smile did duty on all occasions. If he was positively obliged to express his personal approval, a complacent laugh reinforced the smile; but he never vouchsafed a word until driven to the last extremity. A _tete-a-tete_ put him in the one embarrassment of his vegetative existence, for then he was obliged to look for something to say in the vast blank of his vacant interior. He usually got out of the difficulty by a return to the artless ways of childhood; he thought aloud, took you into his confidence concerning the smallest details of his existence, his physical wants, the small sensations which did duty for ideas with him. He never talked about the weather, nor did he indulge in the ordinary commonplaces of conversation--the way of escape provided for weak intellects; he plunged you into the most intimate and personal topics. "I took veal this morning to please Mme. de Bargeton, who is very fond of veal, and my stomach has been very uneasy since," he would tell you. "I knew how it would be; it never suits me. How do you explain it?" Or, very likely-- "I am just about to ring for a glass of _eau sucree_; will you have some