A Set of Rogues
CHAPTER I. _Of my companions and our adversities, and in particular from our getting into the stocks at Tottenham Cross to our being robbed at Edmonton._ There being no plays to be acted at the "Red Bull," because of the Plague, and the players all cast adrift for want of employment, certain of us, to wit, Jack Dawson and his daughter Moll, Ned Herring, and myself, clubbed our monies together to buy a store of dresses, painted cloths, and the like, with a cart and horse to carry them, and thus provided set forth to travel the country and turn an honest penny, in those parts where the terror of pestilence had not yet turned men's stomachs against the pleasures of life. And here, at our setting out, let me show what kind of company we were. First, then, for our master, Jack Dawson, who on no occasion was to be given a second place; he was a hale, jolly fellow, who would eat a pound of beef for his breakfast (when he could get it), and make nothing of half a gallon of ale therewith,--a very masterful man, but kindly withal, and pleasant to
the language owes a figure of speech--"the press groans" was no mere
rhetorical expression in those days. Leather ink-balls were still used
in old-fashioned printing houses; the pressman dabbed the ink by hand
on the characters, and the movable table on which the form of type was
placed in readiness for the sheet of paper, being made of marble,
literally deserved its name of "impression-stone." Modern machinery
has swept all this old-world mechanism into oblivion; the wooden press
which, with all its imperfections, turned out such beautiful work for
the Elzevirs, Plantin, Aldus, and Didot is so completely forgotten,
that something must be said as to the obsolete gear on which
Jerome-Nicolas Sechard set an almost superstitious affection, for it
plays a part in this chronicle of great small things.
Sechard had been in his time a journeyman pressman, a "bear" in
compositors' slang. The continued pacing to and fro of the pressman
from ink-table to press, from press to ink-table, no doubt suggested
the nickname. The "bears," however, make matters even by calling the
compositors monkeys, on account of the nimble industry displayed by
those gentlemen in picking out the type from the hundred and fifty-two
compartments of the cases.
In the disastrous year 1793, Sechard, being fifty years old and a
married man, escaped the great Requisition which swept the bulk of
French workmen into the army. The old pressman was the only hand left
in the printing-house; and when the master (otherwise the "gaffer")
died, leaving a widow, but no children, the business seemed to be on
CHAPTER I. _Of my companions and our adversities, and in particular from our getting into the stocks at Tottenham Cross to our being robbed at Edmonton._ There being no plays to be acted at the "Red Bull," because of the Plague, and the players all cast adrift for want of employment, certain of us, to wit, Jack Dawson and his daughter Moll, Ned Herring, and myself, clubbed our monies together to buy a store of dresses, painted cloths, and the like, with a cart and horse to carry them, and thus provided set forth to travel the country and turn an honest penny, in those parts where the terror of pestilence had not yet turned men's stomachs against the pleasures of life. And here, at our setting out, let me show what kind of company we were. First, then, for our master, Jack Dawson, who on no occasion was to be given a second place; he was a hale, jolly fellow, who would eat a pound of beef for his breakfast (when he could get it), and make nothing of half a gallon of ale therewith,--a very masterful man, but kindly withal, and pleasant to