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Lysistrata

Creator: Aristophanes, 446? BC-385? BC
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put the lewdery to make the rest palatable, when it should be obvious even to an academic how he glories in his wild humour. What the academic cannot understand is that in such works, while attacking certain conditions, the creative power of the vigorous spirits is so great that it overflows and saturates the intellectual conception with their own passionate sense of life. It is for this reason that these works have an eternal significance. If Rabelais were merely a social reformer, then the value of his work would not have outlived his generation. If _Lysistrata_ were but a wise political tract, it would have merely an historical interest, and it would have ceased spiritually at 4O4 B.C. But Panurge is as fantastic and fascinating a character now as he was 3OO years ago, Lysistrata and her girls as freshly bodied as any girl kissed to-day. Therefore the serious part of the play is that which deals with them, the frivolous part that in which Rogers detects gravity and earnestness. Aristophanes is the lord of all who take life as a gay adventure, who defy all efforts to turn life into a social, economic, or moral abstraction. Is it therefore just that the critics who, by some dark instinct, unerringly pick out the exact opposite of any creator's real virtues as his chief characteristics, should praise him as an idealistic reformer? An "ideal" state of society was the last thing Aristophanes
Paris: With Pen and Pencil Its People and Literature, Its Life and Business

PARIS: WITH PEN AND PENCIL ITS PEOPLE AND LITERATURE, ITS LIFE AND BUSINESS BY DAVID W. BARTLETT
desired. He wished, certainly, to eliminate inhumanities and baseness; but only that there might be free play for laughter, for individual happiness. Consequently the critics lay the emphasis on the effort to cleanse society, not the method of laughter. Aristophanes wished to destroy Cleon because that demagogue failed to realize the poet's conception of dignified government and tended to upset the stability of Hellas. But it was the stability of life, the vindication of all individual freedoms, in which he was ultimately interested. JACK LINDSAY. * * * * * LYSISTRATA The Persons of the drama. LYSISTRATA CALONICE MYRRHINE LAMPITO Stratyllis, etc.