Vertigoose), was married by Rev. Cotton Mather in 1715 to an enterprising and industrious printer named Thomas Fleet, and in due time gave birth to a son. Like most mothers-in-law in our day, the importance of Mrs. Goose increased with the appearance of her grandchild, and poor Mr. Fleet, half distracted with her endless nursery ditties, finding all other means fail, tried what ridicule could effect, and actually printed a book under the title "Songs of the Nursery; or, Mother Goose's Melodies for Children." On the title page was the picture of a goose with a very long neck and a mouth wide open, and below this, "Printed by T. Fleet, at his Printing House in Pudding Lane, 1719. Price, two coppers." Mr. Wm. A. Wheeler, the editor of Hurd & Houghton's elaborate edition of Mother Goose, (1870), reiterated this assertion, and a writer in the Boston Transcript of June 17, 1864, says: "Fleet's book was partly a reprint of an English collection of songs (Barclay's), and the new title was doubtless a compliment by the printer to his mother-in-law Goose for her contributions. She was the mother of sixteen children and a typical 'Old Woman who lived in a Shoe.'" We may take it to be true that Fleet's wife was of the Vergoose family, and that the name was often contracted to Goose. But the rest of the story is unsupported by any evidence whatever. In fact, all that Mr. Eliot knew of it was the statement of the late Edward A. Crowninshield, of Boston, that he had seen Fleet's edition in the library of the American Antiquarian Society. Repeated researches at Worcester having failed to bring to light this supposed copy, and no record of it appearing on any catalogue there, we may dismiss the entire story with the supposition that Mr. Eliot misunderstood the remarks made to him. Indeed, as Mr. William H. Whitmore points out in his clever monograph upon Mother Goose (Albany, 1889), it is very doubtful whether in 1719 a Boston printer would have been allowed to publish such "trivial" rhymes. "Boston children at that date," says Mr. Whitmore, "were fed upon Gospel food, and it seems extremely improbable that an edition could have been sold." Singularly enough, England's claim to the venerable old lady is of about the same date as Boston's. There lived in a town in Sussex, about the year 1704, an old woman named Martha Gooch. She was a capital nurse, and in great demand to care for newly-born babies; therefore, through long years of service as nurse, she came to be called Mother Gooch. This good woman had one peculiarity: she was accustomed to croon queer rhymes and jingles over the cradles of her charges, and these rhymes "seemed so senseless and silly to the people who overheard them" that they began to call her "Mother Goose," in derision, the term being derived from Queen Goosefoot, the mother of Charlemagne. The old nurse paid no attention to her critics, but continued to sing her rhymes as before; for, however much grown people might laugh at her, the children seemed to enjoy them very much, and not one of them was too peevish to be quieted and soothed by her verses. At one time Mistress Gooch was nursing a child of Mr. Ronald