THE EMPEROR, Part 1. By Georg Ebers Volume 3. CHAPTER X. While anxiety and trouble were brooding over the steward's dwelling, while dismay and disappointment were clouding the souls of its inhabitants, the hall of the Muses was merry with feasting and laughter. Julia, the prefect's wife, had supplied the architect at Lochias with a carefully-prepared meal,--sufficient to fill six hungry maws, and Pontius' slave--who had received it on its arrival and had unpacked it dish after dish, and set them out on the humblest possible table had then hastened to fetch his master to inspect all these marvels of the cook's art. The architect shook his head as he contemplated the superabundant blessing, and muttered to himself: "Titianus must take me for a crocodile, or rather for two crocodiles," and he went to the sculptor's little tabernacle, where Papias the master was also, to invite the two men to share his supper. Besides them he asked two painters, and the chief mosaic worker of the city, who all day long had been busied in restoring the old and faded pictures on the ceilings and pavements, and under the influence of good wine and cheerful chat they soon emptied the dishes and bowls and trenchers. A man who for several hours has been using his hands or his mind, or both together, waxes hungry, and all the artists whom Pontius had brought together at Lochias had now been working for several days almost to the verge of exhaustion. Each had done his best, in the first place, no doubt, to give satisfaction to Pontius, whom all esteemed, and to himself; but also in the hope of giving proof of his powers to the Emperor and of showing him how things could be done in Alexandria. When the dishes had been removed and the replete feasters had washed and dried their hands, they filled their cups out of a jar of mixed wine, of which the dimensions answered worthily to the meal they had eaten. One of the painters then proposed that they should hold a regular drinking-bout, and elect Papias, who was as well known as a good table orator as he was as an artist, to be the leader of the feast. However, the master declared that he could not accept the honor, for that it was due to the worthiest of their company; to the man namely, who, only a few days since, had entered this empty palace and like a second Deucalion had raised up illustrious artists, such as he then saw around him in great numbers, and skilled workmen by hundreds, not out of plastic stone but out of nothing. And then--while declaring that he understood the use of the hammer and