The Stepmother, A Drama in Five Acts
THE STEPMOTHER A DRAMA IN FIVE ACTS BY HONORE DE BALZAC Presented for the First Time in Paris At the Theatre-Historique May 25, 1848 PERSONS OF THE PLAY Comte de Grandchamp, a Napoleonic General Eugene Ramel, a State's Attorney Ferdinand Marcandal
* One who is acquainted with practical philosophy is not,
therefore, a practical philosopher. The latter is he who makes the
rational end the principle of his actions, while at the same time he
joins with this the necessary knowledge which, as it aims at action,
must not be spun out into the most subtile threads of metaphysic,
unless a legal duty is in question; in which case meum and tuum must
be accurately determined in the balance of justice, on the principle
of equality of action and action, which requires something like
mathematical proportion, but not in the case of a mere ethical duty.
For in this case the question is not only to know what it is a duty to
do (a thing which on account of the ends that all men naturally have
can be easily decided), but the chief point is the inner principle
of the will namely that the consciousness of this duty be also the
spring of action, in order that we may be able to say of the man who
joins to his knowledge this principle of wisdom that he is a practical
philosopher.
Now in this philosophy (of ethics) it seems contrary to the idea
of it that we should go back to metaphysical elements in order to make
the notion of duty purified from everything empirical (from every
THE STEPMOTHER A DRAMA IN FIVE ACTS BY HONORE DE BALZAC Presented for the First Time in Paris At the Theatre-Historique May 25, 1848 PERSONS OF THE PLAY Comte de Grandchamp, a Napoleonic General Eugene Ramel, a State's Attorney Ferdinand Marcandal