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The Seventh Noon

Creator: Bartlett, Frederick Orin
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For three generations the Arsdales had been a family of whom those who claim New York as their inheritance had known both much and little. It was impossible to ignore the silent part Horace Arsdale, the grandfather, had played in the New York business world or the quiet influence he had exerted in such musical and literary centres as existed in his day. Any one who knew anybody would answer an inquiry as to who they might be with a surprised lift of the eyebrows. "The Arsdales? Why they are--the Arsdales." "But what--" "Oh, they are a queer lot. But they have brains and--money." Horace Arsdale died in an asylum, and there were the usual ugly rumors as to what brought him there. He left a son Benjamin, and Benjamin built the present Arsdale house at a time when it was like building in the wilderness. Here he shut himself up with his bride, a French girl he had met on his travels. Ask any one who Benjamin Arsdale was and they would be apt to answer, "Benjamin Arsdale? Oh, he is Benjamin Arsdale. They say he has a great deal of talent and--money." The first statement seemed to be proven by some very delicate lyrical
Judith, a play in three acts Founded on the Apocryphal Book of Judith

WORKS BY THE SAME AUTHOR _NOVELS_ A MAN FROM THE NORTH ANNA OF THE FIVE TOWNS LEONORA A GREAT MAN SACRED AND PROFANE LOVE WHOM GOD HATH JOINED BURIED ALIVE THE OLD WIVES' TALE THE GLIMPSE THE ROLL CALL HELEN WITH THE HIGH HAND CLAYHANGER HILDA LESSWAYS THE CARD THE REGENT THE PRICE OF LOVE
verse which appeared from time to time in the magazines. Though a member of the best half dozen New York clubs, not a dozen men out of the hundreds who knew his name had ever seen him. His wife died within three years, some say from a broken heart, some say from homesickness, leaving a boy child six months old. At this point Benjamin Arsdale's name disappeared even from the magazines, and save to a very few people he was as though dead and buried beneath his odd house. An old Frenchman, his wife, and his son Jacques Moisson seemed content to live there and look after the household duties. Some ten years later a little girl of nine appeared, a niece of Arsdale's, it was said, and this completed the household, though old Pere Moisson died in the course of time, leaving his wife and Jacques as a sort of legacy to his old master, for a body-guard. The only reports of the inmates to the outside world came through the other servants who were employed here from time to time, and the most they had to say was that Arsdale was "queer," and they did n't think it was the place to bring up young children, though the master did adore the very ground they walked on. When the children were older, Arsdale was seen at concerts and the theatre with them, but seemed to resent any attempt on the part of well meaning acquaintances to renew social ties. People remarked upon how old for his age he had grown, and some spoke in a whisper of the spirituality of his features. So much every one knew and that was nothing. What Elaine Arsdale, whom he had legally adopted, knew, was what caused the white light about the